This essay reports on the performance of an initiatory rite of the author’s invention, undertaken as a practical experiment for thinking about certain recurrent features of ritual action and, specifically, of (male) initiation. In keeping with an approach that sees ritual as the enactment of special relationships, this initiation, The Red and the Black, was designed to demonstrate the importance of interactive pat-terning both for the structuring of ritual performance and for the par-ticipants ’ commitment to the relationships they ritually enact. Its meaningfulness, as well as its capacity to affect the participants ’ per-ceptions and ideas, is shown to derive less from the (minimal) explicit symbolism it employs, the beliefs it presuppose...