Draupadi is the epitome of feminine excellence and the single representative of the entire novel The Palace of Illusion. Divakaruni makes Draupadi as the “Celestial astra, the weapons that must be invoked with special chants! They come from the Gods and return to them after being used. The most powerful ones can be used only once in a warriors lifetime.” She is used as a “Brahmastra” to destroy the evil things in the entire world. Because cleansing is the essential factor for the overall social change. Here Draudpadi also “ascends the pyre” not to die but to live with her husband with the purity of heart, mind and soul. Fire cleanses her physically, emotionally, and mentally to start a fresh life with her husbands. A woman could create the ...
Lower status of women is a stain on any society. The problem is becoming glaring in India in the wak...
Epics are indeed an indelible part of our existence carrying us into the timeless history where real...
Gender as a conceptual and epistemological category for sociological and academic debate has always ...
From time immemorial, it has been an established fact that the protagonist of an epic always has to ...
The myth of Draupadi is grounded in the history of the Mahabharata. It is a written discourse on the...
From time immemorial, it has been an established fact that the protagonist of an epic always has to ...
Mythological retellings have explored those issues of the epics which were submerged in the objectiv...
This paper attempts to read Chitra Banerjee Divakaruni’s novel The Palace of Illusions as a feminist...
Our ancient text plays an important role in creating a conservative image of women, which is one of ...
Draupadi, the co-wife of the Pandava brothers, is an important character in the epic. She is known t...
It is said that “Whatever is here is found elsewhere. But whatever is not here is nowhere &nbs...
The great Indian Epic Mahabharata celebrates the battle between Pandavas and Kauravas and signifies ...
The present paper entitled Sita and Draupadi in Novels: Retelling of Epical Women Characters describ...
Predmet istraživanja ovog diplomskog rada je ženski lik kraljice Draupadi iz indijskog epa Mahābhāra...
In Pratibha Ray’s novel Yajnaseni (1995), Draupadi is an intense character from the epic, Mahabharat...
Lower status of women is a stain on any society. The problem is becoming glaring in India in the wak...
Epics are indeed an indelible part of our existence carrying us into the timeless history where real...
Gender as a conceptual and epistemological category for sociological and academic debate has always ...
From time immemorial, it has been an established fact that the protagonist of an epic always has to ...
The myth of Draupadi is grounded in the history of the Mahabharata. It is a written discourse on the...
From time immemorial, it has been an established fact that the protagonist of an epic always has to ...
Mythological retellings have explored those issues of the epics which were submerged in the objectiv...
This paper attempts to read Chitra Banerjee Divakaruni’s novel The Palace of Illusions as a feminist...
Our ancient text plays an important role in creating a conservative image of women, which is one of ...
Draupadi, the co-wife of the Pandava brothers, is an important character in the epic. She is known t...
It is said that “Whatever is here is found elsewhere. But whatever is not here is nowhere &nbs...
The great Indian Epic Mahabharata celebrates the battle between Pandavas and Kauravas and signifies ...
The present paper entitled Sita and Draupadi in Novels: Retelling of Epical Women Characters describ...
Predmet istraživanja ovog diplomskog rada je ženski lik kraljice Draupadi iz indijskog epa Mahābhāra...
In Pratibha Ray’s novel Yajnaseni (1995), Draupadi is an intense character from the epic, Mahabharat...
Lower status of women is a stain on any society. The problem is becoming glaring in India in the wak...
Epics are indeed an indelible part of our existence carrying us into the timeless history where real...
Gender as a conceptual and epistemological category for sociological and academic debate has always ...