Incorporating emotional value into products has become an essential weapon in increasing a product’s competitive edge in the consumer market. Consumers are especially drawn to products that look ‘pleasurable’. It is therefore important for product designers to understand ‘how’ a user’s emotion affects his/her appraisal of a product at the point of purchase, so that they can embed characteristics that evoke ‘pleasure’ into the product during the design process. Consequently, the aim of this study is to investigate the types and characteristics of product forms which can elicit a user’s pleasurable emotion during their visual appraisal process. An in-depth interview was conducted in order to collect the responses of pleasurable feelings from...
This study reports quantitative research into two basic dimensions of emotions: pleasantness and aro...
Studying the emotional aspects of products is of interest for any field concerned with human experie...
Aesthetic innovation, or form-driven radical change in product aesthetic, depends upon the consumer?...
Designing a product with pleasurable value has become a key requirement during the product developme...
abstract: Research in design, emotion, and product experience has focused on establishing a connecti...
Research in emotional design and Kansei Engineering has shown that aesthetics play a significant rol...
This thesis reports an investigation to develop new understanding of pleasant experiences resulting ...
In this study, apparent usability and affective quality were integrated in a design framework called...
This paper discusses two pleasant emotions that are considered to be eminent responses in the domain...
Although it has many definitions, design is related to shape things, the configuration of something....
Abstract: One of designers ’ important tasks is to evoke specific affective responses via the manipu...
It is now widely acknowledged that consumers in developed markets tend not to see functionality and ...
A product can embrace emotional qualities as well as functional qualities. Emotional qualities inclu...
The study of user emotions is hindered by the absence of a clear overview of what positive emotions ...
In design practice emotions elicited by product appearance are often considered to be intangible and...
This study reports quantitative research into two basic dimensions of emotions: pleasantness and aro...
Studying the emotional aspects of products is of interest for any field concerned with human experie...
Aesthetic innovation, or form-driven radical change in product aesthetic, depends upon the consumer?...
Designing a product with pleasurable value has become a key requirement during the product developme...
abstract: Research in design, emotion, and product experience has focused on establishing a connecti...
Research in emotional design and Kansei Engineering has shown that aesthetics play a significant rol...
This thesis reports an investigation to develop new understanding of pleasant experiences resulting ...
In this study, apparent usability and affective quality were integrated in a design framework called...
This paper discusses two pleasant emotions that are considered to be eminent responses in the domain...
Although it has many definitions, design is related to shape things, the configuration of something....
Abstract: One of designers ’ important tasks is to evoke specific affective responses via the manipu...
It is now widely acknowledged that consumers in developed markets tend not to see functionality and ...
A product can embrace emotional qualities as well as functional qualities. Emotional qualities inclu...
The study of user emotions is hindered by the absence of a clear overview of what positive emotions ...
In design practice emotions elicited by product appearance are often considered to be intangible and...
This study reports quantitative research into two basic dimensions of emotions: pleasantness and aro...
Studying the emotional aspects of products is of interest for any field concerned with human experie...
Aesthetic innovation, or form-driven radical change in product aesthetic, depends upon the consumer?...