cote interne IRCAM: Caramiaux11aNone / NoneNational audienceIn this paper we present an experimental study concerning gestural embodiment of environmental sounds in a listening context. The presented work is part of a project aiming at modeling movement-sound relationships, with the end goal of proposing novel approaches for designing musical instruments and sounding objects. The experiment is based on sound stimuli corresponding to ``causal'' and ``non-causal'' sounds. It is divided into a performance phase and an interview. The experiment is designed to investigate possible correlation between the perception of the ``causality'' of environmental sounds and different gesture strategies for the sound embodiment. In analogy with the percepti...
International audienceEven though we generally don't pay attention to the friction sounds produced w...
International audienceIn this study, we investigated whether friction sounds produced by drawing mov...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
cote interne IRCAM: Caramiaux11aNone / NoneNational audienceIn this paper we present an experimental...
In this paper we present an experimental study concerninggestural embodiment of environmental sounds...
cote interne IRCAM: Caramiaux14aNational audienceWe investigated gesture description of sound stimul...
Communicating an auditory experience with words is a difficult task and, in consequence, people ofte...
This paper is a preliminary attempt to investigate the perceptionof sound movements as expressive ge...
International audienceCommunicating about sounds is a difficult task without a technical language, a...
cote interne IRCAM: Caramiaux14cNone / NoneNational audienceGesture-to-sound mapping is generally de...
This document summarizes and discusses the research I carried out since 2004. This research focused ...
The crucial role of embodiment in perceiving music is increasingly well documented by cognitive scie...
This is an exploration of listeners association of gestures with musical sounds. The subjects listen...
In this keynote, musical gestures will be discussed in relation to the basic concepts of the embodie...
cote interne IRCAM: Nymoen11aNone / NoneNational audienceThis paper investigates differences in the ...
International audienceEven though we generally don't pay attention to the friction sounds produced w...
International audienceIn this study, we investigated whether friction sounds produced by drawing mov...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
cote interne IRCAM: Caramiaux11aNone / NoneNational audienceIn this paper we present an experimental...
In this paper we present an experimental study concerninggestural embodiment of environmental sounds...
cote interne IRCAM: Caramiaux14aNational audienceWe investigated gesture description of sound stimul...
Communicating an auditory experience with words is a difficult task and, in consequence, people ofte...
This paper is a preliminary attempt to investigate the perceptionof sound movements as expressive ge...
International audienceCommunicating about sounds is a difficult task without a technical language, a...
cote interne IRCAM: Caramiaux14cNone / NoneNational audienceGesture-to-sound mapping is generally de...
This document summarizes and discusses the research I carried out since 2004. This research focused ...
The crucial role of embodiment in perceiving music is increasingly well documented by cognitive scie...
This is an exploration of listeners association of gestures with musical sounds. The subjects listen...
In this keynote, musical gestures will be discussed in relation to the basic concepts of the embodie...
cote interne IRCAM: Nymoen11aNone / NoneNational audienceThis paper investigates differences in the ...
International audienceEven though we generally don't pay attention to the friction sounds produced w...
International audienceIn this study, we investigated whether friction sounds produced by drawing mov...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...