While issues associated with pedagogy have been a focus of my research over a number of years, this chapter was sparked by a recent exchange with my teenage son whose offhand comment whilst playing the guitar set me wondering about the nature of the pedagogic relation. I was impressed by a guitar riff he had been playing from a song by his latest favourite band and asked him how he had managed to learn it. ‘I’ve been teaching myself’, he said. Seeking clarification given he was attending weekly guitar lessons I replied, ‘So you’re not learning this with Matt?’. ‘Nope, I taught myself’, he repeated. Despite mastering the guitar riff independently of his teacher I was interested that he’d chosen to say he was teaching himself rather than that...
The purpose of this article is to explore how perspectives from cultural studies and post-structural...
In the second paper, Anja Kraus takes the concept of ‘kinaesthetic musicality’ to, from a philosophi...
My interest in the problem I have chosen has grown from my practise as a music teacher in Swedish co...
The term pedagogy has been appropriated in education discourse as simply strategies of instruction. ...
Adopting a fresh approach to the assumptions and concepts which underlie musical learning, Taking a ...
What is pedagogy, exactly? Merriam-Webster defines it simply as “the art, science, or profession of ...
This paper challenges notions that pedagogy is predominantly rational, conscious and deliberate. Dra...
This paper describes a best teaching practice called Critical Pedagogy for Music Education as it inf...
What does it mean to be a pedagogue? To become part and contributor to pedagogical processes? In thi...
This chapter discusses the notion of 'Pedagogy'. It includes the consideration of the following topi...
In this paper I will introduce a concept of pedagogy of music that I will call Immanent. I will appr...
During my time as Director of Studies at the Municipal Music School of Lund, Sweden, I have had seve...
The problem of this dissertation was to identify and analyze certain learning modalities to determin...
Pedagogy refers to the art and science of teaching, and any methods a teacher uses to teach. Pedagog...
What is distinctive about the ways specific disciplines are traditionally taught, and what kinds of ...
The purpose of this article is to explore how perspectives from cultural studies and post-structural...
In the second paper, Anja Kraus takes the concept of ‘kinaesthetic musicality’ to, from a philosophi...
My interest in the problem I have chosen has grown from my practise as a music teacher in Swedish co...
The term pedagogy has been appropriated in education discourse as simply strategies of instruction. ...
Adopting a fresh approach to the assumptions and concepts which underlie musical learning, Taking a ...
What is pedagogy, exactly? Merriam-Webster defines it simply as “the art, science, or profession of ...
This paper challenges notions that pedagogy is predominantly rational, conscious and deliberate. Dra...
This paper describes a best teaching practice called Critical Pedagogy for Music Education as it inf...
What does it mean to be a pedagogue? To become part and contributor to pedagogical processes? In thi...
This chapter discusses the notion of 'Pedagogy'. It includes the consideration of the following topi...
In this paper I will introduce a concept of pedagogy of music that I will call Immanent. I will appr...
During my time as Director of Studies at the Municipal Music School of Lund, Sweden, I have had seve...
The problem of this dissertation was to identify and analyze certain learning modalities to determin...
Pedagogy refers to the art and science of teaching, and any methods a teacher uses to teach. Pedagog...
What is distinctive about the ways specific disciplines are traditionally taught, and what kinds of ...
The purpose of this article is to explore how perspectives from cultural studies and post-structural...
In the second paper, Anja Kraus takes the concept of ‘kinaesthetic musicality’ to, from a philosophi...
My interest in the problem I have chosen has grown from my practise as a music teacher in Swedish co...