The present article intends to show how the bi-partite structure of Henry James’s The Golden Bowl makes it possible for the author to recycle its discourse through a strategy of revisionism. With the emergence of new theories and critical perspectives in the humanities of the 1970s and after, it seems that this strategy of creative writing has been considerably theorized also. A hypothesis behind the insertion of theory and practice here is that revising the previous literatures has come to be strategic for modernizing experience and creating new knowledge. For example, mainly based on Foucault’s contributions to literature, new historicism takes history and literature as interconnected, while it takes their interconnection as implying that...