Space on Par is a short performance text that uses gentle humour to communicate an alternative perspective on how open space is used by humans and nonhuman animals, in this instance a golf course. If playing golf for enjoyment is puzzling behaviour for a nonhuman observer, it can emphasise human refusal to recognise the physical and spatial rights of other species and their needs for survival. The effort to educate about the treatment of animals can include theatrical characters who blur the species identities to make a point, and Space on Par inverts the invisibility of the gaze of the human
The Grasshopper Cabaret, by Undine Sellbach and Stephen Loo, performed at Speculative Ethologies, a ...
This paper explores the parallels between racism and speciesism, to argue that the colonial ‘otherin...
The equally manifest senses of purpose, enthusiasm and urgency generated within animal studies group...
Is it frivolous to care about animals at a time when human rights are under attack? Are demands for ...
This is an article about openness, corporeal situatedness and looking within solo open form improvis...
This is the final version. Available on open access from the International Association of Theatre Cr...
The anonymously-written one-act play The Author on the Wheel, or, a Piece Cut in the Green Room prem...
There is an anomaly in responses to some live performance that features animal identities and the hu...
A performance lecture on alternative and autonomous educational spaces and practices given as part o...
In order to attempt to answer the question:” In what ways is it possible to challenge the power rela...
The Wilds—a safari park, conservation facility, and breeding center—tells an intricately curated sto...
Baz Kershaw argues that theatre buildings are embedded within a “disciplinary system” that traps aud...
Space is the first accessible text which provides a comprehensive examination of approaches that hav...
International audienceTino Sehgal receives carte blanche to work in the immense space of the Palais ...
In this paper, I investigate the idea of cross-community professional theatre as a means of dissolvi...
The Grasshopper Cabaret, by Undine Sellbach and Stephen Loo, performed at Speculative Ethologies, a ...
This paper explores the parallels between racism and speciesism, to argue that the colonial ‘otherin...
The equally manifest senses of purpose, enthusiasm and urgency generated within animal studies group...
Is it frivolous to care about animals at a time when human rights are under attack? Are demands for ...
This is an article about openness, corporeal situatedness and looking within solo open form improvis...
This is the final version. Available on open access from the International Association of Theatre Cr...
The anonymously-written one-act play The Author on the Wheel, or, a Piece Cut in the Green Room prem...
There is an anomaly in responses to some live performance that features animal identities and the hu...
A performance lecture on alternative and autonomous educational spaces and practices given as part o...
In order to attempt to answer the question:” In what ways is it possible to challenge the power rela...
The Wilds—a safari park, conservation facility, and breeding center—tells an intricately curated sto...
Baz Kershaw argues that theatre buildings are embedded within a “disciplinary system” that traps aud...
Space is the first accessible text which provides a comprehensive examination of approaches that hav...
International audienceTino Sehgal receives carte blanche to work in the immense space of the Palais ...
In this paper, I investigate the idea of cross-community professional theatre as a means of dissolvi...
The Grasshopper Cabaret, by Undine Sellbach and Stephen Loo, performed at Speculative Ethologies, a ...
This paper explores the parallels between racism and speciesism, to argue that the colonial ‘otherin...
The equally manifest senses of purpose, enthusiasm and urgency generated within animal studies group...