AbstractThe use of the voice and singing in the field of body percussion is one of the less studied aspects from a pedagogical point of view. This publication structures the pedagogical foundation of how to use the voice with the body percussion, according to an ethnomusicological base, in order to lay the foundation at an educational level. Through the Bapne Method we encourage the development of multiple intelligences with a precise foundation that leads to cognitive, social-emotional and psychomotor stimulation. As a result, “Singing Bapne” was born as a specific form of vocal and kinesthetic learning, structured into four levels of difficulty based on various rhythmical and melodical voices. This way of working comes from the body movem...
The aim of this article is to compare the Suzuki and BAPNE methods based on bibliography published f...
The proposal of this study reported here by Elisa Pezzuto, currently post graduate student in ethnom...
The body is the singer's musical instrument, and therefore it is impossible to teach singing without...
The use of the voice and singing in the field of body percussion is one of the less studied aspects ...
The use of the voice and singing in the field of body percussion is one of the less studied aspects ...
AbstractThe use of the voice and singing in the field of body percussion is one of the less studied ...
Singing canons represent an extremely rich and interesting starting point for the development of mus...
Language is believed to be a central device for communicating meaning and knowledge between humans. ...
In musical education the importance of body movement together with the use of the voice is steadily ...
AbstractIn musical education the importance of body movement together with the use of the voice is s...
In this paper we examine one exercise taken by the Singing BAPNE music education program, in order t...
AbstractThe importance of the music and movement in the music learning is vital in the formation and...
Western music education is principally developed around the study of solfege. Most of the approaches...
BAPNE Method is a method based on cognitive stimulation integrating music and movement through body ...
invThe paper investigates available literature and analyses selected case studies in order to create...
The aim of this article is to compare the Suzuki and BAPNE methods based on bibliography published f...
The proposal of this study reported here by Elisa Pezzuto, currently post graduate student in ethnom...
The body is the singer's musical instrument, and therefore it is impossible to teach singing without...
The use of the voice and singing in the field of body percussion is one of the less studied aspects ...
The use of the voice and singing in the field of body percussion is one of the less studied aspects ...
AbstractThe use of the voice and singing in the field of body percussion is one of the less studied ...
Singing canons represent an extremely rich and interesting starting point for the development of mus...
Language is believed to be a central device for communicating meaning and knowledge between humans. ...
In musical education the importance of body movement together with the use of the voice is steadily ...
AbstractIn musical education the importance of body movement together with the use of the voice is s...
In this paper we examine one exercise taken by the Singing BAPNE music education program, in order t...
AbstractThe importance of the music and movement in the music learning is vital in the formation and...
Western music education is principally developed around the study of solfege. Most of the approaches...
BAPNE Method is a method based on cognitive stimulation integrating music and movement through body ...
invThe paper investigates available literature and analyses selected case studies in order to create...
The aim of this article is to compare the Suzuki and BAPNE methods based on bibliography published f...
The proposal of this study reported here by Elisa Pezzuto, currently post graduate student in ethnom...
The body is the singer's musical instrument, and therefore it is impossible to teach singing without...