This bachelor thesis focuses on Czech academic film dramaturgy. Dramaturgy in this sense refers to the activity of the dramaturge in the creation of a film work of art. His performance is theoretically grounded upon a long tradition beginning with Aristotle's Poetics, generally called poetics, and this thesis consists of a comparison of such film poetics published at FAMU, within the department of scriptwriting and dramaturgy, examined through the perspective of Prague structuralism, and with the mentioned traditions on background. No other theoretical work has dealt with this material so far, so my aim is to map the basic problems of this closed field, with an emphasis on how the tradition is adapted to the specific requirements of film