This Master's thesis is dedicated to the analysis of Tom Stoppard's plays. It analyses their main themes, protagonists and modern and postmodern literary devices that Stoppard used when creating his plays. The theoretical part briefly introduces postmodernism and some of its major characteristics. It further focuses on the theatre of the absurd. In the practical part, Tom Stoppard's plays are then analysed from different angles. The major areas constitute mainly Stoppard's modern and postmodern literary devices, the themes of his plays and their division. The part of this thesis dedicated to themes also discusses the characters of the plays. Key Words: Stoppard, postmodernism, theatre of the absurd, play
Rozprawa habilitacyjna wykonana w Katedrze Literatury i Kultury Angielskiej Uniwersytetu ŁódzkiegoT...
Available from British Library Document Supply Centre- DSC:D36899/81 / BLDSC - British Library Docum...
The diploma thesis focuses on Stoppard's combination of high and low genres, which Stoppard describe...
With the emergence of postmodern theory, certainties about historical knowledge have been challenged...
Tato diplomová práce se zabývá analýzou divadelních her Toma Stopparda. Zaměřuje se na jejich témata...
This thesis aims to investigate the question of reality in Tom Stoppard’s plays Rosencrantz and Guil...
© 2011 Meredith Joy FaragherBeginning with a brief overview of Stoppard’s career as a playwright, th...
The paper examines the nature of narrative identity in Tom Stoppard’s plays Rosencrantz and Guildens...
The book is a study of Harold Pinter and Tom Stoppard, arguably the two most eminent British playwri...
Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of EnglishThis ...
This study tries to analyze the theories of postmodernist literature in Arcadia, a play by Tom Stopp...
Ever since the 1966 debut of Rosencrantz and Guildenstern Are Dead to international acclaim, critics...
This study presents a postmodernist reading of Tom Stoppard's Rosencrantz and Guildenstern Are Dead....
This thesis examines Tom Stoppard's comedy of ideas. A study of the relationship between form and co...
In the early works, typically in Rosencrantz and Guildenstem Are Dead and Lord Malquist and Mr Moon....
Rozprawa habilitacyjna wykonana w Katedrze Literatury i Kultury Angielskiej Uniwersytetu ŁódzkiegoT...
Available from British Library Document Supply Centre- DSC:D36899/81 / BLDSC - British Library Docum...
The diploma thesis focuses on Stoppard's combination of high and low genres, which Stoppard describe...
With the emergence of postmodern theory, certainties about historical knowledge have been challenged...
Tato diplomová práce se zabývá analýzou divadelních her Toma Stopparda. Zaměřuje se na jejich témata...
This thesis aims to investigate the question of reality in Tom Stoppard’s plays Rosencrantz and Guil...
© 2011 Meredith Joy FaragherBeginning with a brief overview of Stoppard’s career as a playwright, th...
The paper examines the nature of narrative identity in Tom Stoppard’s plays Rosencrantz and Guildens...
The book is a study of Harold Pinter and Tom Stoppard, arguably the two most eminent British playwri...
Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of EnglishThis ...
This study tries to analyze the theories of postmodernist literature in Arcadia, a play by Tom Stopp...
Ever since the 1966 debut of Rosencrantz and Guildenstern Are Dead to international acclaim, critics...
This study presents a postmodernist reading of Tom Stoppard's Rosencrantz and Guildenstern Are Dead....
This thesis examines Tom Stoppard's comedy of ideas. A study of the relationship between form and co...
In the early works, typically in Rosencrantz and Guildenstem Are Dead and Lord Malquist and Mr Moon....
Rozprawa habilitacyjna wykonana w Katedrze Literatury i Kultury Angielskiej Uniwersytetu ŁódzkiegoT...
Available from British Library Document Supply Centre- DSC:D36899/81 / BLDSC - British Library Docum...
The diploma thesis focuses on Stoppard's combination of high and low genres, which Stoppard describe...