Add to ORKGThis work deals with the relation of emotions to contemporary experimental animation. It engages in the emotional experience of a viewer to non-narrative film storytelling and its means of expression. At the same time, it examines what the creative processes and attitudes of filmmakers towards emotions in experimental animation are. Analysis of the questionnaires also reveals whether the creator counts on the viewer's specific interpretation of the film
While much is known about the appearance and human perception of emotional facial expressions, resea...
Abstract—Studies into dynamic facial expressions tend to make use of experimental methods based on o...
Animators are so often taught more about how to perfect their animations than toconsider what it is ...
How might an animator distil and study emotion? Could animation itself be a means to unlock meaning ...
peer reviewedThe text explores affect as it unfolded for Master students, co-authoring this article,...
[[abstract]]Abstract The practices of Creators used from experimental animation. Assisted by a numbe...
This paper explores the potential of drawn animation as an arts-based autoethnographic method making...
Art can be the bearer of expressive qualities embodied into the work by its creator. The creator of...
It is important to remember actors and animators are similar in many respects, but also very differe...
The examination of the interaction between cinema and its audience represents a significant area of ...
The creative process is a fascinating subject when considering human cognition and the generative ca...
The emotional aspect of the visual arts has been researched and reviewed for decades, and many artis...
As emotion science has matured, the palette of viable emotion elicitation techniques has grown. Incr...
For centuries, art has been used not just to portray images, but to inspire feelings in those who ob...
Our research looks at the processes we undertook to create an animated movie using a simulated virtu...
While much is known about the appearance and human perception of emotional facial expressions, resea...
Abstract—Studies into dynamic facial expressions tend to make use of experimental methods based on o...
Animators are so often taught more about how to perfect their animations than toconsider what it is ...
How might an animator distil and study emotion? Could animation itself be a means to unlock meaning ...
peer reviewedThe text explores affect as it unfolded for Master students, co-authoring this article,...
[[abstract]]Abstract The practices of Creators used from experimental animation. Assisted by a numbe...
This paper explores the potential of drawn animation as an arts-based autoethnographic method making...
Art can be the bearer of expressive qualities embodied into the work by its creator. The creator of...
It is important to remember actors and animators are similar in many respects, but also very differe...
The examination of the interaction between cinema and its audience represents a significant area of ...
The creative process is a fascinating subject when considering human cognition and the generative ca...
The emotional aspect of the visual arts has been researched and reviewed for decades, and many artis...
As emotion science has matured, the palette of viable emotion elicitation techniques has grown. Incr...
For centuries, art has been used not just to portray images, but to inspire feelings in those who ob...
Our research looks at the processes we undertook to create an animated movie using a simulated virtu...
While much is known about the appearance and human perception of emotional facial expressions, resea...
Abstract—Studies into dynamic facial expressions tend to make use of experimental methods based on o...
Animators are so often taught more about how to perfect their animations than toconsider what it is ...