Textual Identity in Selected Novels by Philip Roth: Representation, Dissimulation, Creation

The present study seeks to explore the ways in which Jewish identity is discursively deployed in three novels by Jewish-American writer Philip Roth: Portnoy's Complaint (1969), American Pastoral (1997) and The Human Stain (2000). Calling upon a framework of philosophical approaches to identity structured around the key terms of otherness, performativity and ethics, culled from theoretical writings by Judith Butler, Paul Ricoeur and Emmanuel Lévinas, the thesis analyses how writing about Jews in America functions as a political act, initially perhaps against the author's will, and engages the terms of "majority" and "minority." The central topos is that of otherness, viewed as inaccessible and irreducible (Lévinas), but endowed by the characters we will apprehend with powerful fictions, both appealing and repulsive, foci of desire and derision. In relation to our Jewish protagonists, white otherness (Chapter 1), black otherness (Chapter 2) and other Jews (Chapter 3) will be unearthed as crucial sites of imaginative investment which inform the creation of their individual Jewish-American selves. These selves are performed in discourse alternately with and against their discursive precedents, underscoring the aspect of performativity that Butler calls citationality and establishing an intricate..