Theatre and Politics: The Weimar Republic 1927-1933

This thesis aims at avant-garde theatre movement in Weimar Republic, namely at stage manager Erwin Piscator and playwright Bertold Brecht, as well as at characteristics of political and social surroundings of Weimar Republic. Intellectually is the aim of this thesis at mutual relation between theatre and politics. Thesis is set into years 1927 - 1933, however, broader context of post-war Germany is necessary, while setting both men in the context and surroundings of Weimar Germany. The thesis is divided into three parts. In the first one, culture, political and social conditions of Weimar Republic are analysed, matters of censorship, culture politics a political conditions of Weimar Republic are accented. The second part aims at Erwin Piscator, principles of his work and his public functioning in the years 1927 - 1933, as well as the response he became in the public. The third part aims in the same way at Bertold Brecht, principles of his playwriting, two plays written in the years 1927 - 1933 and again the response he became in the public. Relation between theatre and politics is analysed from two points of view. The first is point of view of Weimar Republic - its politics in culture and censorship. The second one is the point of view of both men, who had undoubtedly political targets set into..