Minangkabau culture in the mirror of randai theatre plays

The dissertation thesis is focused on the culture of the ethnic group Minangkabau, whose home territory is situated in the present-day Indonesian province of West Sumatra, yet whose diaspora, reaching its highest density in the islands of Sumatra and Java, recently covers the whole of the Indonesian archipelago, overlapping to the neighbouring countries of Malaysia, Singapore, and beyond. In the thesis, Minangkabau culture is viewed through the looking glass of the Minang folk theatre randai, which traces its origins to the iniciation of young Minang males, yet which has with time transformed into an important means of symbolic expression of the Minang identity. Selected randai plays recorded by the author in their authentic social context are used to provide examples for the explanation of some of the key concepts that form the core of Minang culture, while socio-historical conditions are considered for the influence they have had upon the shaping of these concepts to their present form. Topics that are subject to explanation include the following: the social position and the key social roles performed by women in the context of a system of social organization based on the principals of matrilineal kinship, relative to the position and roles of men; basic principals of Minang ethnopsychology as source of..