Liberated Theatre in a culturogical perspective

Liberated theatre is specific, Czech theatre formation, it is specific in the whole Czech cultural context. Many works were released on this subject, begins with the materials produced by theatre itself and ends with the expert works. In our thesis, we tried by the compilation of the work from the field of theatrical history and theory, history of society, political history and texts about social climate of the period, in which Liberated theatre acted, to look at this formation in its integrity. Every theatre exists in the space and in the time, which define its character, and conversely, the theatre defines the character of the period and the society, in which it acts. This fact counts double on Liberated theatre. Therefore, this work looks at the creative activities of Liberated theatre as at the cultural feature, which is situated to the political and social conditions. It deals with the three basic persons of the theatre, describes its history and evolution, arts forms and technical instruments, which were used by the theatre. Also it refers the message, which was notified to the society by the central comic pair, and it takes a think about the live heritage of Liberated theatre to the present