This article examines the literary strategies employed by a devotional poet who wrote about recent events in the eighteenth century, in order to shed light on contemporary notions of social responsibility. Taking the poetic treatment of Ahmad Shah Abdali's invasion of North India and the sacking of Vrindavan in 1757 as its primary focus, the article will discuss how political and theological understandings of lordship converged at a popular level, such that a deity could be called to account as a neglectful landlord as well as venerated in a bhakti context. It examines the redaction of tropes inherited from both vaisnava literature and late Mughal ethical thought, and considers the parallels between the Harikala Beli, a Braj Bhasha poem, an...
This paper deals with the introductory section of a little-known 18th- century Persian versified tra...
This paper studies how Brajbhs Vaishnava narratives describe the role the Mughal emperor Aurangzeb p...
The Vijñānagītā (1610) is one of the last works composed by Keśavadāsa. As a work of his old age, gr...
This article examines the literary strategies employed by a devotional poet who wrote about recent e...
Despite the prolific authorship within the Gauá¸Ä«ya Vaiá¹£á¹ava tradition, it had not produced a si...
Early modern poets conventionally began their compositions by praising and invoking the blessings of...
The eighteenth century in Indian History is characterized as an epoch of political anarchy and socia...
ABSTRACT This article looks at confluence of rı̄ti and bhakti and at the interface of the personal a...
This thesis probes the dynamics of modernity in the context of colonial Hinduism. It challenges prev...
This paper deals with the introductory section of a little-known 18th- century Persian versified tra...
This dissertation explores the religious reform efforts of the Bengali neo-Vaisnava savant, Bhaktivi...
This dissertation engages with the topic of early modern community formation in South Asia. It focu...
Brahman Sanskrit intellectuals enjoyed a century of relations with the Mughal elite. Nonetheless, su...
This dissertation examines the literary and socio-religious development of mars̤iyah, a genre of Urd...
This paper deals with the introductory section of a little-known 18th- century Persian versified tra...
This paper deals with the introductory section of a little-known 18th- century Persian versified tra...
This paper studies how Brajbhs Vaishnava narratives describe the role the Mughal emperor Aurangzeb p...
The Vijñānagītā (1610) is one of the last works composed by Keśavadāsa. As a work of his old age, gr...
This article examines the literary strategies employed by a devotional poet who wrote about recent e...
Despite the prolific authorship within the Gauá¸Ä«ya Vaiá¹£á¹ava tradition, it had not produced a si...
Early modern poets conventionally began their compositions by praising and invoking the blessings of...
The eighteenth century in Indian History is characterized as an epoch of political anarchy and socia...
ABSTRACT This article looks at confluence of rı̄ti and bhakti and at the interface of the personal a...
This thesis probes the dynamics of modernity in the context of colonial Hinduism. It challenges prev...
This paper deals with the introductory section of a little-known 18th- century Persian versified tra...
This dissertation explores the religious reform efforts of the Bengali neo-Vaisnava savant, Bhaktivi...
This dissertation engages with the topic of early modern community formation in South Asia. It focu...
Brahman Sanskrit intellectuals enjoyed a century of relations with the Mughal elite. Nonetheless, su...
This dissertation examines the literary and socio-religious development of mars̤iyah, a genre of Urd...
This paper deals with the introductory section of a little-known 18th- century Persian versified tra...
This paper deals with the introductory section of a little-known 18th- century Persian versified tra...
This paper studies how Brajbhs Vaishnava narratives describe the role the Mughal emperor Aurangzeb p...
The Vijñānagītā (1610) is one of the last works composed by Keśavadāsa. As a work of his old age, gr...