Immersive theatre is a growing trend within theatre entertainment: audience members can now wander around performances and choose how the story unfolds in front of them. Technology can be used to create novel, multi-modal experiences for audiences in these performances; but when the rules of such an experience are ill-defined, how do users react to this technology? We present an evaluation of 25 performances of an immersive, in the dark performance. Issues of control can arise in situations where technology becomes an important part of such a performance. Participants take and relinquish control in three key areas: navigation, exploration and attention during the performance, and this affects their perception of both technology and the piec...
Questions around what audiences do are becoming ever more complex as innovative modes of participat...
We describe the ongoing work of a collaborative theatre project, in which blind and sighted members ...
We examined several key issues around audience autonomy in VR theatre. Informed by a literature revi...
Immersive theatre is a growing trend within theatre entertainment: audience members can now wander a...
This paper describes research on narratives delivered through instrumented spaces. Two promenade the...
Immersive theatre is an important type of modern theatre, notable for its emphasis on bodily engagem...
Interaction is increasingly a public affair, taking place in our theatres, galleries, museums, exhib...
An immersive theatre experience was designed to raise awareness and question perceptions of ‘blindne...
This paper addresses the aesthetic, corporeal and intellectual dimensions of spectatorship in immers...
The process of experiencing theatre is shifting from watching to doing. As genre-subverting performa...
New technologies are influencing the sphere of performing arts with new possibilities for storytell...
An immersive theatre experience was designed to raise awareness and question perceptions of ‘blindne...
Rethinking Theatre and its Digital Double is an exploration of the influence of theatre and performa...
This article is a brief, individual review which illustrates some advances that digital technology c...
New technologies are transforming the shape and function of contemporary performance practice. Dance...
Questions around what audiences do are becoming ever more complex as innovative modes of participat...
We describe the ongoing work of a collaborative theatre project, in which blind and sighted members ...
We examined several key issues around audience autonomy in VR theatre. Informed by a literature revi...
Immersive theatre is a growing trend within theatre entertainment: audience members can now wander a...
This paper describes research on narratives delivered through instrumented spaces. Two promenade the...
Immersive theatre is an important type of modern theatre, notable for its emphasis on bodily engagem...
Interaction is increasingly a public affair, taking place in our theatres, galleries, museums, exhib...
An immersive theatre experience was designed to raise awareness and question perceptions of ‘blindne...
This paper addresses the aesthetic, corporeal and intellectual dimensions of spectatorship in immers...
The process of experiencing theatre is shifting from watching to doing. As genre-subverting performa...
New technologies are influencing the sphere of performing arts with new possibilities for storytell...
An immersive theatre experience was designed to raise awareness and question perceptions of ‘blindne...
Rethinking Theatre and its Digital Double is an exploration of the influence of theatre and performa...
This article is a brief, individual review which illustrates some advances that digital technology c...
New technologies are transforming the shape and function of contemporary performance practice. Dance...
Questions around what audiences do are becoming ever more complex as innovative modes of participat...
We describe the ongoing work of a collaborative theatre project, in which blind and sighted members ...
We examined several key issues around audience autonomy in VR theatre. Informed by a literature revi...