As part of the 50th anniversary celebrations of the London Film-makers’ Co-op (LFMC), Tate Modern opens its Counter-Histories series with a programme dedicated to a rarely seen but remarkable ensemble of films – both single screen and expanded – made by women filmmakers since the 1970s in the context of the artist-led, cooperative organisation. Produced against a backdrop of growing feminist consciousness, these films built on the methods, processes and ethos associated with the Co-op to address the world outside of the projection room. From Reel to Real: Women, Feminism and the London Film-makers’ Co-op is curated by Maud Jacquin in partnership with LUX and Tate Film with the support of LUMA Foundation and FLUXUS. It is presented alongs...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
This round-table project provides a focused, yet provocative and disruptive opportunity for three no...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
<p>The 'From Reel to Real' season of programmes, the first retrospective of women filmmakers' work f...
From Reel to Real, Programme 1 Collapsing the Frame Curated by Maud Jacquin, “From Reel to Real” ...
The chapter examines the conditions for women's film and video practices in London in the early year...
Four screenings curated by Claire M. Holdsworth (Kingston School of Art) with writer and director Pr...
This paper will discuss our curation of Celebrating Women in Global Cinema (CWinGC), a unique year-l...
First Memory (1980) will be re-mounted in its original medium of slide-tape with two screens. ‘...
A screening of the films Soft Fiction and And Under That introduced by the director of LUX, Benjamin...
For their Now Showing program Cinenova working group invited me to present my video Circuits of Bad ...
Tate Britain 19 May 2003 – 1 April 2004 The use of film and video by artists in Britain over the pas...
The film installation 'Black Lace' will be presented from 2013 to 2015 as part of the British Crafts...
What is the significance of gendered identification in relation to artists' moving image? How do wom...
Jane Topping's The Women: 8 Films was screened as part of DISCORDIA: Generation 25 Years of Contempo...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
This round-table project provides a focused, yet provocative and disruptive opportunity for three no...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
<p>The 'From Reel to Real' season of programmes, the first retrospective of women filmmakers' work f...
From Reel to Real, Programme 1 Collapsing the Frame Curated by Maud Jacquin, “From Reel to Real” ...
The chapter examines the conditions for women's film and video practices in London in the early year...
Four screenings curated by Claire M. Holdsworth (Kingston School of Art) with writer and director Pr...
This paper will discuss our curation of Celebrating Women in Global Cinema (CWinGC), a unique year-l...
First Memory (1980) will be re-mounted in its original medium of slide-tape with two screens. ‘...
A screening of the films Soft Fiction and And Under That introduced by the director of LUX, Benjamin...
For their Now Showing program Cinenova working group invited me to present my video Circuits of Bad ...
Tate Britain 19 May 2003 – 1 April 2004 The use of film and video by artists in Britain over the pas...
The film installation 'Black Lace' will be presented from 2013 to 2015 as part of the British Crafts...
What is the significance of gendered identification in relation to artists' moving image? How do wom...
Jane Topping's The Women: 8 Films was screened as part of DISCORDIA: Generation 25 Years of Contempo...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
This round-table project provides a focused, yet provocative and disruptive opportunity for three no...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...