Add to ORKGThe affirmation of value over price assumed and instantiated in contemporary art (CA) through its constitutive sur-valuation cannot but be inclined towards pricing. Parochially, the art-market can then advance without hindrance across any instance of CA. More expansively, in bringing or adding value to everything while assuming that the indeterminacy of its sur-valuation negates or escapes pricing, CA is a transmission mechanism for the speculative pricing of everything, for universal financialization
Contemporary avant-garde art systematically deconstructs the mental framework that has traditionally...
The editorial premise of this special issue is that the adage ‘art and money do not mix’ is now whol...
The “hostile worlds” view argues that money corrupts the meaning of art, but some suggest this is a ...
Value is an ambiguous word. It is, at once, commonly used and understood, and yet one of the weighti...
Over the course of the 20th century the market for contemporary art has emerged to dominate percepti...
"Transnational markets hold sway over all aspects of contemporary culture, and that has transformed ...
Art is the concrete/tangible/substantial materialization of the human creative impulse to convey her...
The commercial methods and transactional processes of the art market contravene in almost every way ...
Where moral, economic and aesthetic issues all converge, the idea of value involves a noteworthy re-...
How do dealers price contemporary art in a world where objective criteria seem absent? Talking Price...
Changing the Currency On the Problems of Value and Critique in Art. In their recent manifesto, ...
A critical review as part of the AHRC funded Cultural Value ProjectAgainst Value presents a genealog...
In no other area of human activity is the relationship between production and money as perverse as i...
Detailed review of the 2018 film. This article is concerned to define contemporary art such that the...
This article discusses the relationship between artistic and commercial value of art. The author sho...
Contemporary avant-garde art systematically deconstructs the mental framework that has traditionally...
The editorial premise of this special issue is that the adage ‘art and money do not mix’ is now whol...
The “hostile worlds” view argues that money corrupts the meaning of art, but some suggest this is a ...
Value is an ambiguous word. It is, at once, commonly used and understood, and yet one of the weighti...
Over the course of the 20th century the market for contemporary art has emerged to dominate percepti...
"Transnational markets hold sway over all aspects of contemporary culture, and that has transformed ...
Art is the concrete/tangible/substantial materialization of the human creative impulse to convey her...
The commercial methods and transactional processes of the art market contravene in almost every way ...
Where moral, economic and aesthetic issues all converge, the idea of value involves a noteworthy re-...
How do dealers price contemporary art in a world where objective criteria seem absent? Talking Price...
Changing the Currency On the Problems of Value and Critique in Art. In their recent manifesto, ...
A critical review as part of the AHRC funded Cultural Value ProjectAgainst Value presents a genealog...
In no other area of human activity is the relationship between production and money as perverse as i...
Detailed review of the 2018 film. This article is concerned to define contemporary art such that the...
This article discusses the relationship between artistic and commercial value of art. The author sho...
Contemporary avant-garde art systematically deconstructs the mental framework that has traditionally...
The editorial premise of this special issue is that the adage ‘art and money do not mix’ is now whol...
The “hostile worlds” view argues that money corrupts the meaning of art, but some suggest this is a ...