An international conference, convened by Brass Art in association with the Freud Museum London, as part of the Festival of the Unconscious 2015. Yes, These Eyes are the Windows, (18 min HD 2015) was screened as part of the conference
As vectors of memory, the contributed objects of A People’s Archive of Sinking and Melting are mater...
The conference for FORMAT19, 15th March 2019, was hosted by University of Derby and the Digital and ...
Pettican, A., Mojsiewicz, K. and Lewis, C. (2015) Brass Art: Shadow Worlds | Writers’ Rooms – Freud...
Video work from Snæbjörnsdóttir/Wilson's 'You Must Carry Me Now' was part of this art exhibition in ...
The Time of The Artist (2019) was a collaborative research activity between Rhiannon Jones (S.H.E.D ...
OVERVIEW: The tapestry art 'I Run and Run, Let Out an Earth Shattering Roar, and Turn into a Giant O...
Keynote presentation at the Association of Art Historians 49th Annual Conference, at University Coll...
As part of this landmark conference an exhibition was installed in the heart of the space, positioni...
I curated this group exhibition in collaboration with Glasgow-based art's organisation The Common Gu...
Group exhibition at Tenderpixel, London 27 June - 26 July, 2014 Cathy Haynes, Fay Nicolson, Kent...
The Institute for the Converging Arts & Sciences (ICAS) links artists, scientists, designers, social...
This thesis reframes the history of live art as a mode of simultaneous production, exhibition and re...
The Deadpan Exchange is a series of international exhibitions that began in Denmark and Berlin in th...
Exhibition Dates: 7-10 April 2015Venue: The Cookhouse, Chelsea College of Arts, University of Arts L...
Drawing from the exhibition "Fast Forward to the Analogue: vintage immersions" (Project Space, Unive...
As vectors of memory, the contributed objects of A People’s Archive of Sinking and Melting are mater...
The conference for FORMAT19, 15th March 2019, was hosted by University of Derby and the Digital and ...
Pettican, A., Mojsiewicz, K. and Lewis, C. (2015) Brass Art: Shadow Worlds | Writers’ Rooms – Freud...
Video work from Snæbjörnsdóttir/Wilson's 'You Must Carry Me Now' was part of this art exhibition in ...
The Time of The Artist (2019) was a collaborative research activity between Rhiannon Jones (S.H.E.D ...
OVERVIEW: The tapestry art 'I Run and Run, Let Out an Earth Shattering Roar, and Turn into a Giant O...
Keynote presentation at the Association of Art Historians 49th Annual Conference, at University Coll...
As part of this landmark conference an exhibition was installed in the heart of the space, positioni...
I curated this group exhibition in collaboration with Glasgow-based art's organisation The Common Gu...
Group exhibition at Tenderpixel, London 27 June - 26 July, 2014 Cathy Haynes, Fay Nicolson, Kent...
The Institute for the Converging Arts & Sciences (ICAS) links artists, scientists, designers, social...
This thesis reframes the history of live art as a mode of simultaneous production, exhibition and re...
The Deadpan Exchange is a series of international exhibitions that began in Denmark and Berlin in th...
Exhibition Dates: 7-10 April 2015Venue: The Cookhouse, Chelsea College of Arts, University of Arts L...
Drawing from the exhibition "Fast Forward to the Analogue: vintage immersions" (Project Space, Unive...
As vectors of memory, the contributed objects of A People’s Archive of Sinking and Melting are mater...
The conference for FORMAT19, 15th March 2019, was hosted by University of Derby and the Digital and ...
Pettican, A., Mojsiewicz, K. and Lewis, C. (2015) Brass Art: Shadow Worlds | Writers’ Rooms – Freud...