A performance lecture on alternative and autonomous educational spaces and practices given as part of a weekend of workshops and performances organised by School of the Damned, the independent alternative postgraduate art programme, at LARA, London, February 25, 2016. Numbing Like The Stingray - Meno's Servant at the Care Farm: On Alternative and Autonomous Spaces makes reference among other things to Peter Kraftl's writing on educational spaces, Richard Sennett on anarchy and society, James C Scott on the art of not being governed, and Plato on education, and the music of Miles Davis and Steve Reich. The five-part structure to the text is provided by the words of a slogan that appear on a tufted wall hanging made by Will Bartlett - A Way N...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...
Over the course of my four years in the Bard college music department I was able to absorb a wide va...
The second part of my senior project is a sound installation and performance taking place in the Int...
This dissertation argues for a relational ethic of listening that emphasizes the pedagogical role of...
This practice-based PhD project develops a ‘Sonic Ghosting’ practice through a portfolio of composit...
British singer/songwriter Elvis Costello once said, “Talking about music is like dancing about archi...
East Mere Hide, Wicken Fen (2012) arises from work carried out as part of an AHRC-funded project, La...
British singer/songwriter Elvis Costello once said, “Talking about music is like dancing about archi...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
Experimental music has always partnered with and responded to developments within the visual arts. J...
From the introduction to the book: \ud \ud Presenting a series of musical case studies. [Robert] Sh...
Backtracks aimed to investigate critical relationships between audio-visual technologies and live pe...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...
Over the course of my four years in the Bard college music department I was able to absorb a wide va...
The second part of my senior project is a sound installation and performance taking place in the Int...
This dissertation argues for a relational ethic of listening that emphasizes the pedagogical role of...
This practice-based PhD project develops a ‘Sonic Ghosting’ practice through a portfolio of composit...
British singer/songwriter Elvis Costello once said, “Talking about music is like dancing about archi...
East Mere Hide, Wicken Fen (2012) arises from work carried out as part of an AHRC-funded project, La...
British singer/songwriter Elvis Costello once said, “Talking about music is like dancing about archi...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
Experimental music has always partnered with and responded to developments within the visual arts. J...
From the introduction to the book: \ud \ud Presenting a series of musical case studies. [Robert] Sh...
Backtracks aimed to investigate critical relationships between audio-visual technologies and live pe...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
This paper takes as its catalyst a series of live art events that took place between London and Manc...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...