We use the example of art-derived solace to discuss a broader mechanism by which negative affect is instrumental in creating positive appreciation of artworks. Based on the theory of predictive processing, we argue that increasing attunement or reduction of prediction errors, which implies increasing validation of the agent(‘s models), is experienced as positive, even if the artwork’s content is negative
While covering all commentaries, our response specifically focuses on the following issues: How can ...
Die Neu- oder Umbewertung (reappraisal) ist sowohl kurz- als auch langfristig eine der effektivsten ...
Can we experience depictions of repulsive objects more positively when we watch them as part of a wo...
We use the example of art-derived solace to discuss a broader mechanism by which negative affect is ...
Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesth...
The predictive coding model is increasingly and fruitfully used to explain a wide range of findings ...
In the Distancing-Embracing model, an explanation is proposed for the apparent paradox that is the e...
Among the main challenges of the predictive brain/mind concept is how to link prediction at the neur...
The human experience of art is unique, being associated with exceptional and transcendent states of ...
How to account for the power that art holds over us? Why do artworks touch us deeply, consoling, tra...
While covering all commentaries, our response specifically focuses on the following issues: How can ...
Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in g...
The ability to distinguish between emotions is considered indicative of well-being, but does emotion...
Can we experience depictions of repulsive objects more positively when we watch them as part of a wo...
Can we experience depictions of repulsive objects more positively when we watch them as part of a wo...
While covering all commentaries, our response specifically focuses on the following issues: How can ...
Die Neu- oder Umbewertung (reappraisal) ist sowohl kurz- als auch langfristig eine der effektivsten ...
Can we experience depictions of repulsive objects more positively when we watch them as part of a wo...
We use the example of art-derived solace to discuss a broader mechanism by which negative affect is ...
Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesth...
The predictive coding model is increasingly and fruitfully used to explain a wide range of findings ...
In the Distancing-Embracing model, an explanation is proposed for the apparent paradox that is the e...
Among the main challenges of the predictive brain/mind concept is how to link prediction at the neur...
The human experience of art is unique, being associated with exceptional and transcendent states of ...
How to account for the power that art holds over us? Why do artworks touch us deeply, consoling, tra...
While covering all commentaries, our response specifically focuses on the following issues: How can ...
Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in g...
The ability to distinguish between emotions is considered indicative of well-being, but does emotion...
Can we experience depictions of repulsive objects more positively when we watch them as part of a wo...
Can we experience depictions of repulsive objects more positively when we watch them as part of a wo...
While covering all commentaries, our response specifically focuses on the following issues: How can ...
Die Neu- oder Umbewertung (reappraisal) ist sowohl kurz- als auch langfristig eine der effektivsten ...
Can we experience depictions of repulsive objects more positively when we watch them as part of a wo...