Character animators strive to observe and interpret expressions to instil into their animated characters, for example, using mirrors to study their own expressions or though observing others. This paper describes the path taken when an animator/researcher tried to explore subtle and restrained emotion through creative practice methodology. While this research was initially conducted to explore and inform animation practice, the author’s own experience in caring for a terminally ill-relative revealed new and unexpected avenues as to how this research might be extended to help carers interpret (and thus respond to) patients who are unable to speciÖcally vocalise their needs or are too ill to express themselves beyond the smallest of gestures....
This website documents a programme of research undertaken in collaboration with occupational therapi...
The challenge of communicating emotional content to an audience via animated characters has existed ...
Two adults with autistic disorder (28 and 26 years old) and an adult with intellectual handicap (30 ...
Character animators strive to observe and interpret expressions to instil into their animated charac...
While much is known about the appearance and human perception of emotional facial expressions, resea...
How might an animator distil and study emotion? Could animation itself be a means to unlock meaning ...
This research straddles the divide between creative arts practice and social science methodologies, ...
Abstract—Studies into dynamic facial expressions tend to make use of experimental methods based on o...
Animators are so often taught more about how to perfect their animations than toconsider what it is ...
This research aims to pursue strategies for expressing inner states and emotions in animation films ...
Learning to read body language is something we do throughout our whole life. It is a complex non-ver...
While we know quite a lot about emotional facial expressions, we know relatively little about the te...
It is important to remember actors and animators are similar in many respects, but also very differe...
[[abstract]]Abstract The practices of Creators used from experimental animation. Assisted by a numbe...
Abstract: Whilst embedding drawing within participatory animation practice, I have developed methods...
This website documents a programme of research undertaken in collaboration with occupational therapi...
The challenge of communicating emotional content to an audience via animated characters has existed ...
Two adults with autistic disorder (28 and 26 years old) and an adult with intellectual handicap (30 ...
Character animators strive to observe and interpret expressions to instil into their animated charac...
While much is known about the appearance and human perception of emotional facial expressions, resea...
How might an animator distil and study emotion? Could animation itself be a means to unlock meaning ...
This research straddles the divide between creative arts practice and social science methodologies, ...
Abstract—Studies into dynamic facial expressions tend to make use of experimental methods based on o...
Animators are so often taught more about how to perfect their animations than toconsider what it is ...
This research aims to pursue strategies for expressing inner states and emotions in animation films ...
Learning to read body language is something we do throughout our whole life. It is a complex non-ver...
While we know quite a lot about emotional facial expressions, we know relatively little about the te...
It is important to remember actors and animators are similar in many respects, but also very differe...
[[abstract]]Abstract The practices of Creators used from experimental animation. Assisted by a numbe...
Abstract: Whilst embedding drawing within participatory animation practice, I have developed methods...
This website documents a programme of research undertaken in collaboration with occupational therapi...
The challenge of communicating emotional content to an audience via animated characters has existed ...
Two adults with autistic disorder (28 and 26 years old) and an adult with intellectual handicap (30 ...