In August 1947 the British Treasury imposed a substantial tax on film imports, to conserve dollars for the purchase of essential goods from abroad. In response, the American film industry stopped exporting its product to Britain, and the US Embassy began lobbying vigorously against the tax. American diplomats wanted to promote free trade and feared that the US film industry might disseminate propaganda against European Recovery Programme aid planned for Britain. The tax was repealed in March 1948 partly due to Embassy protests, but the British authorities rejected the concerns of US diplomats over the subsequent quota system because of the seemingly greater importance of bolstering the indigenous film industry. This article examines the con...
Given article reviews the process of transformation of Anglo-American relations after World War II. ...
Film was a most important product in the lives of the people during the 1930s. This paper sets out t...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
In August 1947 the British Treasury imposed a substantial tax on film imports, to conserve dollars f...
During this period the state's interest in the film industry took several different forms. The area ...
The US Embassy in London has long played a leading institutional role in the Anglo-American relation...
A government can adopt two different stances regarding its domestic film industry. It may choose to ...
A presentation as part of the Strange New Worlds Postgraduate Conference, held by the Cinema and Tel...
The article summarises key aspects of government intervention in the British film industry since the...
This article examines the role of British exchange and import controls in stimulating the dramatic i...
The article explores the relationship between the transnational and the territorial in British film ...
This thesis will examine the comment and debate on The United States and Anglo-American relations be...
In 1949–1950, Britain rejected ideas of being a third force between the post-war Superpowers and ado...
This thesis is an attempt to examine Anglo-American relations at the end of World War One, when Gre...
1982 is the bicentenary of the Foreign Office. Since 1945 the dominant theme of British foreign poli...
Given article reviews the process of transformation of Anglo-American relations after World War II. ...
Film was a most important product in the lives of the people during the 1930s. This paper sets out t...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
In August 1947 the British Treasury imposed a substantial tax on film imports, to conserve dollars f...
During this period the state's interest in the film industry took several different forms. The area ...
The US Embassy in London has long played a leading institutional role in the Anglo-American relation...
A government can adopt two different stances regarding its domestic film industry. It may choose to ...
A presentation as part of the Strange New Worlds Postgraduate Conference, held by the Cinema and Tel...
The article summarises key aspects of government intervention in the British film industry since the...
This article examines the role of British exchange and import controls in stimulating the dramatic i...
The article explores the relationship between the transnational and the territorial in British film ...
This thesis will examine the comment and debate on The United States and Anglo-American relations be...
In 1949–1950, Britain rejected ideas of being a third force between the post-war Superpowers and ado...
This thesis is an attempt to examine Anglo-American relations at the end of World War One, when Gre...
1982 is the bicentenary of the Foreign Office. Since 1945 the dominant theme of British foreign poli...
Given article reviews the process of transformation of Anglo-American relations after World War II. ...
Film was a most important product in the lives of the people during the 1930s. This paper sets out t...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...