The works presented in this portfolio were created to research and explore the interplay between sound, space and perception in the medium of sound installation. The portfolio consists of five audiovisual installations; States of Being, Intrinsic, Structure, Slit and Shape. These site-dependent installations belong to the category of Klangkunst but they work by carefully acknowledging and placing considerations towards the encounter, more specifically spatial encounter; exploring concepts of space and what it means to experience immersive spaces sonically. Three of the five works were installed and presented to the public. The development process included critical feedback from both the public and academic peers
This portfolio of eleven scores and an accompanying commentary is an in depth investigation into the...
This thesis, comprised of a portfolio of compositions accompanied by media examples and commentary, ...
This commentary consists of an attempt to discuss the problems raised by the way I approach composit...
A portfolio of acousmatic and mixed compositions which explores the notion of sound as a multi-dimen...
This is a portfolio of ten compositions composed at the Electroacoustic Music Studios at the Univers...
A PORTFOLIO OF COMPOSITIONS SUMMARY OF SUBMISSION This Portfolio of Compositions contains four large...
The submission consists in a portfolio of eight compositions of instrumental, electroacoustic and mi...
The portfolio consists of eight compositions of varying instrumentation and length. The pieces explo...
Growing up in a non-musical family, the type of music I first encountered was popular music. My ear...
This portfolio comprises of a collection of acousmatic works which investigate the role of source bo...
abstract: The fundamental concept that I have developed and applied throughout my college career is ...
The intent of this dissertation is to contribute to the current body of compositional knowledge, par...
This portfolio of original compositions is made up of six works, two electroacoustic and four acoust...
This portfolio deals with issues involved in creating audiovisual work in which the audio and video ...
The compositions presented in this portfolio emerge from a personal journey that traverses a path ac...
This portfolio of eleven scores and an accompanying commentary is an in depth investigation into the...
This thesis, comprised of a portfolio of compositions accompanied by media examples and commentary, ...
This commentary consists of an attempt to discuss the problems raised by the way I approach composit...
A portfolio of acousmatic and mixed compositions which explores the notion of sound as a multi-dimen...
This is a portfolio of ten compositions composed at the Electroacoustic Music Studios at the Univers...
A PORTFOLIO OF COMPOSITIONS SUMMARY OF SUBMISSION This Portfolio of Compositions contains four large...
The submission consists in a portfolio of eight compositions of instrumental, electroacoustic and mi...
The portfolio consists of eight compositions of varying instrumentation and length. The pieces explo...
Growing up in a non-musical family, the type of music I first encountered was popular music. My ear...
This portfolio comprises of a collection of acousmatic works which investigate the role of source bo...
abstract: The fundamental concept that I have developed and applied throughout my college career is ...
The intent of this dissertation is to contribute to the current body of compositional knowledge, par...
This portfolio of original compositions is made up of six works, two electroacoustic and four acoust...
This portfolio deals with issues involved in creating audiovisual work in which the audio and video ...
The compositions presented in this portfolio emerge from a personal journey that traverses a path ac...
This portfolio of eleven scores and an accompanying commentary is an in depth investigation into the...
This thesis, comprised of a portfolio of compositions accompanied by media examples and commentary, ...
This commentary consists of an attempt to discuss the problems raised by the way I approach composit...