The responsory — a genre originated in early period of Gregorian chant, but also increasing in number until the end of the Middle Ages — is expected as transmitted in a rather stable melodic shape. The paper lists and analyses, however, 27 items with more than one melody and with variants in a wide scope of modes. In addition, 15 tunes are listed that has been adapted as contrafacta (and not as a model-melody) to new texts. These latter include not only parts of saints’ offices but also items belonging to the temporale part of the office
The article focuses on outlining the historical aspect of the cycle of Marian antiphons from the Cat...
Within the Catholic Church, the singing of Gregorian chant has always been a form of liturgical pray...
The author analyzes offices of St. Catherine of Alexandria. Some of them, especially those beginning...
Despite their formulaic nature, the tones sung to the verses of responsoria prolixa in the medieval ...
In the musical repertory of the medieval Gregorian liturgy, office chants have more diversity among ...
Thesis (M.A.)--Boston University, 1956The existence of the Anglican Service and its music is predica...
Differences between Gregorian and Roman chant are especially evident in the solo verses of the offer...
This article uses multiple witnesses of the chants from four offices of the Sanctorale, transcribed ...
The conflicting assignments between modes 3 and 8 is found not only among sources, but also within a...
In the early Christian celebrations of the Eucharist the presentation of bread and wine by the deac...
While musical sources and documents from throughout the Middle Ages reveal that mode was an enduring...
In Responsorial Psalms for Weekday Mass: Advent, Christmas, Lent, and Easter, Father Anthony Ruff, O...
Aside from its position in the liturgy of the Roman Catholic Church, that is the priority to liturgi...
The aim of this thesis is to illustrate the perception of a Gregorian Chant in a historical context....
To date, there has been no detailed or comparative analysis of the repertory known as the Old-Roman ...
The article focuses on outlining the historical aspect of the cycle of Marian antiphons from the Cat...
Within the Catholic Church, the singing of Gregorian chant has always been a form of liturgical pray...
The author analyzes offices of St. Catherine of Alexandria. Some of them, especially those beginning...
Despite their formulaic nature, the tones sung to the verses of responsoria prolixa in the medieval ...
In the musical repertory of the medieval Gregorian liturgy, office chants have more diversity among ...
Thesis (M.A.)--Boston University, 1956The existence of the Anglican Service and its music is predica...
Differences between Gregorian and Roman chant are especially evident in the solo verses of the offer...
This article uses multiple witnesses of the chants from four offices of the Sanctorale, transcribed ...
The conflicting assignments between modes 3 and 8 is found not only among sources, but also within a...
In the early Christian celebrations of the Eucharist the presentation of bread and wine by the deac...
While musical sources and documents from throughout the Middle Ages reveal that mode was an enduring...
In Responsorial Psalms for Weekday Mass: Advent, Christmas, Lent, and Easter, Father Anthony Ruff, O...
Aside from its position in the liturgy of the Roman Catholic Church, that is the priority to liturgi...
The aim of this thesis is to illustrate the perception of a Gregorian Chant in a historical context....
To date, there has been no detailed or comparative analysis of the repertory known as the Old-Roman ...
The article focuses on outlining the historical aspect of the cycle of Marian antiphons from the Cat...
Within the Catholic Church, the singing of Gregorian chant has always been a form of liturgical pray...
The author analyzes offices of St. Catherine of Alexandria. Some of them, especially those beginning...