The life and works of Mozart are central to a due understanding of Liszt’s development as pianist, composer, and conductor. Yet, this fact receives inadequate attention in scholarly studies. Liszt readily acknowledged that he ‘owed the greater part of what he was as a musician to Mozart’ and found identity and goal as he sought, as pianist and composer, to emulate the endeavors of the Viennese master. Like Mozart, he was a ‘pioneer of progress’ who refused ‘to be bound by accepted modes of expression.’ Like Mozart, ‘he pushed virtuosity to utmost limits.’ Like Mozart, he was seen by many as an iconic figure of German nationalism. In later life, Liszt took comfort from the fact that Mozart, his illustrious role-model, was not spared bitter e...
One of the stops on Liszt’s »small European tour« was the concert in Zagreb, which Franz Liszt gave ...
Were Liszt and Wagner as composers and musical thinkers more similar or different? The differences a...
A thorough understanding of Liszt's piano cycle, Harmonies poétiques et religieuses, requires a cros...
Liszt’s published writings are extensive, and are for the most part not readily available in print....
1889 the Weimar Theatre intendant invited Richard Strauss to join the staff of the Hofoper as second...
Franz Liszt is one of the greatest artists of the 19th century. He has attended the most important ...
Regardless of many styles, ideas, and trends in the history of music, which have existed so far, onl...
The article attempts to shed light on Liszt’s connections with so called Gypsy music, with particul...
Numéro spécial de la revue Quaderni dell'Istituto Liszt, ,°10International audienceCe volume rassemb...
Liszt’s activities and aesthetic ideas during the Weimar period were comprehensively inspired by the...
Like many of the great Romantic composers of the 19th-century, Franz Liszt (1811-1886) often embedde...
International audienceFranz Liszt was one of the most prominent pianists and composers of 19th Centu...
The idea of progress became increasingly relevant during the 19th century, eventually instigating a ...
Franz Liszt was one of the most dynamic and influential musicians of the nineteenth century. His in...
In Foundations of Music History, Carl Dahlhaus drew attention to the uneasy relationship between his...
One of the stops on Liszt’s »small European tour« was the concert in Zagreb, which Franz Liszt gave ...
Were Liszt and Wagner as composers and musical thinkers more similar or different? The differences a...
A thorough understanding of Liszt's piano cycle, Harmonies poétiques et religieuses, requires a cros...
Liszt’s published writings are extensive, and are for the most part not readily available in print....
1889 the Weimar Theatre intendant invited Richard Strauss to join the staff of the Hofoper as second...
Franz Liszt is one of the greatest artists of the 19th century. He has attended the most important ...
Regardless of many styles, ideas, and trends in the history of music, which have existed so far, onl...
The article attempts to shed light on Liszt’s connections with so called Gypsy music, with particul...
Numéro spécial de la revue Quaderni dell'Istituto Liszt, ,°10International audienceCe volume rassemb...
Liszt’s activities and aesthetic ideas during the Weimar period were comprehensively inspired by the...
Like many of the great Romantic composers of the 19th-century, Franz Liszt (1811-1886) often embedde...
International audienceFranz Liszt was one of the most prominent pianists and composers of 19th Centu...
The idea of progress became increasingly relevant during the 19th century, eventually instigating a ...
Franz Liszt was one of the most dynamic and influential musicians of the nineteenth century. His in...
In Foundations of Music History, Carl Dahlhaus drew attention to the uneasy relationship between his...
One of the stops on Liszt’s »small European tour« was the concert in Zagreb, which Franz Liszt gave ...
Were Liszt and Wagner as composers and musical thinkers more similar or different? The differences a...
A thorough understanding of Liszt's piano cycle, Harmonies poétiques et religieuses, requires a cros...