Differences between Gregorian and Roman chant are especially evident in the solo verses of the offertory. The contrast becomes pronounced among offertories assigned to Lent and Paschaltide. A central distinction between offertories of the two traditions is the relationship between melody and text. Eight examples illustrate some of these differences and explore their implications for understanding the relationship between the two dialects. The melodies underwent further development in both dialects after their separation. The sensitivity to the content of the words in some Gregorian offertories is best viewed as a token of the emphasis on literacy in Frankish culture. The Roman tradition developed along different lines, toward an extreme mel...
What is the orign1 of the so-called Gregorian Chant? That is the question asked by Dickinson in his ...
The responsory — a genre originated in early period of Gregorian chant, but also increasing in numbe...
Gregorian chant has always been presented in the Church documents as a model of liturgical singing. ...
In the early Christian celebrations of the Eucharist the presentation of bread and wine by the deac...
To date, there has been no detailed or comparative analysis of the repertory known as the Old-Roman ...
This paper looks at two chanting traditions: the Gregorian recitation formula for chanting the psalm...
The aim of this thesis is to illustrate the perception of a Gregorian Chant in a historical context....
The repertory of music known as Milanese chant: has only recently attracted the attention of musicol...
In the musical repertory of the medieval Gregorian liturgy, office chants have more diversity among ...
This paper will trace the development of the uniquely monophonic Roman chant which reached its pures...
This paper looks at two chanting traditions: the Gregorian recitation formula for chanting the psalm...
The reception of the german dialect of the gregorian chant between 1900 an aprox. 1950 (Abstract) In...
Article 116 of the Constitution on the Sacred Liturgy Sacrosanctum Concilium states that “the Church...
The study of hundreds of variations in the manuscript tradition of the Roman-franc antiphons directo...
The study of hundreds of variations in the manuscript tradition of the Roman-franc antiphons directo...
What is the orign1 of the so-called Gregorian Chant? That is the question asked by Dickinson in his ...
The responsory — a genre originated in early period of Gregorian chant, but also increasing in numbe...
Gregorian chant has always been presented in the Church documents as a model of liturgical singing. ...
In the early Christian celebrations of the Eucharist the presentation of bread and wine by the deac...
To date, there has been no detailed or comparative analysis of the repertory known as the Old-Roman ...
This paper looks at two chanting traditions: the Gregorian recitation formula for chanting the psalm...
The aim of this thesis is to illustrate the perception of a Gregorian Chant in a historical context....
The repertory of music known as Milanese chant: has only recently attracted the attention of musicol...
In the musical repertory of the medieval Gregorian liturgy, office chants have more diversity among ...
This paper will trace the development of the uniquely monophonic Roman chant which reached its pures...
This paper looks at two chanting traditions: the Gregorian recitation formula for chanting the psalm...
The reception of the german dialect of the gregorian chant between 1900 an aprox. 1950 (Abstract) In...
Article 116 of the Constitution on the Sacred Liturgy Sacrosanctum Concilium states that “the Church...
The study of hundreds of variations in the manuscript tradition of the Roman-franc antiphons directo...
The study of hundreds of variations in the manuscript tradition of the Roman-franc antiphons directo...
What is the orign1 of the so-called Gregorian Chant? That is the question asked by Dickinson in his ...
The responsory — a genre originated in early period of Gregorian chant, but also increasing in numbe...
Gregorian chant has always been presented in the Church documents as a model of liturgical singing. ...