This article provides a comparative analysis of popular music policy developments in Scotland and Australia in recent years. It begins by making the case for this comparative analysis before going on to outline relevant policy developments in each country. The results of the author’s empirical research in Australia are then presented in the context of this providing lessons for Scottish policy-makers. Those lessons are outlined in the conclusion
This article critically reviews the edited collection Music Cities: Evaluating a Global Cultural Pol...
This chapter provides a historical context and a cursory sketch of a selection of geo-historical spe...
This PASCAL report is a guide for local/regional policy makers and other interested parties in the ...
In this paper we examine the agenda for change in policy towards popular music in Scotland brought a...
This special issue derives from the conference Policy Notes: Popular Music, Industry and the State h...
This study examines the political economy of popular music\ud policy initiatives during 1982-1996, w...
This article offers an overview of public policy and community music as presented by an internation...
This special issue of Perfect Beat has its origins in the Policy Notes: Local Music in Global Creat...
In the 1990s the artistic autonomy of the territorial subsidiaries of the major record companies inc...
This special issue of Popular Music has its origins in a seminar organised at the University of Stir...
n the last two decades the status of popular music as both a cultural activity and creative industry...
This thesis is a study of Canadian government regulations and programs that support the country\u27s...
The aim of this doctoral thesis is to investigate the nature and historical development of Australia...
This paper will explore the relationship between the local and the global in the music industry thro...
At a time when Australian popular music is enjoying increasing international critical and commercial...
This article critically reviews the edited collection Music Cities: Evaluating a Global Cultural Pol...
This chapter provides a historical context and a cursory sketch of a selection of geo-historical spe...
This PASCAL report is a guide for local/regional policy makers and other interested parties in the ...
In this paper we examine the agenda for change in policy towards popular music in Scotland brought a...
This special issue derives from the conference Policy Notes: Popular Music, Industry and the State h...
This study examines the political economy of popular music\ud policy initiatives during 1982-1996, w...
This article offers an overview of public policy and community music as presented by an internation...
This special issue of Perfect Beat has its origins in the Policy Notes: Local Music in Global Creat...
In the 1990s the artistic autonomy of the territorial subsidiaries of the major record companies inc...
This special issue of Popular Music has its origins in a seminar organised at the University of Stir...
n the last two decades the status of popular music as both a cultural activity and creative industry...
This thesis is a study of Canadian government regulations and programs that support the country\u27s...
The aim of this doctoral thesis is to investigate the nature and historical development of Australia...
This paper will explore the relationship between the local and the global in the music industry thro...
At a time when Australian popular music is enjoying increasing international critical and commercial...
This article critically reviews the edited collection Music Cities: Evaluating a Global Cultural Pol...
This chapter provides a historical context and a cursory sketch of a selection of geo-historical spe...
This PASCAL report is a guide for local/regional policy makers and other interested parties in the ...