This paper describes the importance of the GUIs (Graphical User Interfaces) to the control of digital sound synthesis. Is intended to highlight the cognitive problem present in synthesizers as a consequence of the usage of technical acoustical language on their interfaces. Psychoacoustic scientists have tried to overcome this cognitive gap developing a unified model of perception where a musician is able to interact with sound using a perceptual interface rather than a scientific one. As these efforts have not currently reached their goal, different approaches are addressed to design interfaces that adapt to the user, rather than the user adapting to the
Most modern software applications have rich graphical user interfaces (GUIs). In the desk-top enviro...
This thesis presents the design of a Graphical User Interface (GUI) for computer-based sound synthes...
www.dcs.gla.ac.uk/research/audio_toolkit Audio feedback remains little used in most graphical user i...
This thesis presents the design of a Graphical User Interface (GUI) for computer-based sound synthes...
This paper addresses the issue of music as a communication medium in auditory humancomputerinterface...
This paper addresses the issue of music as a communication medium in auditory humancomputer interfac...
This paper addresses the issue of music as a communication medium in auditory human-computer interfa...
This paper is about the use of an interaction model to describe digital musical instruments which ha...
Abstract. This paper describes an experiment carried out to determine which, among several possible ...
Abstract. This paper describes an experiment carried out to determine which, among several possible ...
This chapter focuses on the interface - the part of the instrument that facilitates interaction betw...
In this paper, we review and analyse some categories of user interface for hardware and software ele...
This paper discusses how an augmented instrument, HASGS in the context of interactive electronic mus...
Building on previous studies I have undertaken in the educational context, this paper offers observa...
There is not always a clear difference in cognition between whir and noise, mood of music or tone in...
Most modern software applications have rich graphical user interfaces (GUIs). In the desk-top enviro...
This thesis presents the design of a Graphical User Interface (GUI) for computer-based sound synthes...
www.dcs.gla.ac.uk/research/audio_toolkit Audio feedback remains little used in most graphical user i...
This thesis presents the design of a Graphical User Interface (GUI) for computer-based sound synthes...
This paper addresses the issue of music as a communication medium in auditory humancomputerinterface...
This paper addresses the issue of music as a communication medium in auditory humancomputer interfac...
This paper addresses the issue of music as a communication medium in auditory human-computer interfa...
This paper is about the use of an interaction model to describe digital musical instruments which ha...
Abstract. This paper describes an experiment carried out to determine which, among several possible ...
Abstract. This paper describes an experiment carried out to determine which, among several possible ...
This chapter focuses on the interface - the part of the instrument that facilitates interaction betw...
In this paper, we review and analyse some categories of user interface for hardware and software ele...
This paper discusses how an augmented instrument, HASGS in the context of interactive electronic mus...
Building on previous studies I have undertaken in the educational context, this paper offers observa...
There is not always a clear difference in cognition between whir and noise, mood of music or tone in...
Most modern software applications have rich graphical user interfaces (GUIs). In the desk-top enviro...
This thesis presents the design of a Graphical User Interface (GUI) for computer-based sound synthes...
www.dcs.gla.ac.uk/research/audio_toolkit Audio feedback remains little used in most graphical user i...