Add to ORKGA search for the antecedents of early electroacoustic music. An Illustrative survey of ideologies and methodologies pertinent to the development of electroacoustic music of three influential musicians of the period: Varese, Stockhausen and Schaeffer. Illustrative assessment of major works from these composers during this period. The musico-political situation and the tensions between the main protagonists. The impact of the technology of mass communication on the culture of the twentieth century and its musical appropriation
'The Language of Electroacoustic Music' (Emmerson, 1986) has remained in print continuously since it...
This research advances the current state of knowledge in the field of early tape music both empirica...
The study seeks to establish how theories and concepts derived from electro-acoustic practice can in...
The birth of electroacoustic music is associated with an era of creativity which is now firmly embed...
Histories of electroacoustic music tend to converge around a limited set of grand narratives, which ...
In the 1950s using electronic devices to make music seemed like a new paradigm for composers eager t...
From the earliest experiments with the manipulation of 78-rpm disks during the 1920s, the technology...
Since its origins in the aristocratic European courts of the sixteenth and seventeenth centuries, th...
The Language of Electroacoustic Music (Emmerson, 1986) was published by the Macmillan Press in late ...
The availability and the choice of sources are an important aspect of the formation of music history...
Most historiographical discourses about electroacoustic music have been written following technologi...
Histories of electroacoustic music tend to converge around a limited set of grand narratives, which ...
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music,...
Although electroacoustic music was known in the first half of the 20th Century for its liberation of...
Electroacoustic music is inherently transdisciplinary. Crafted in varied environments, in many diffe...
'The Language of Electroacoustic Music' (Emmerson, 1986) has remained in print continuously since it...
This research advances the current state of knowledge in the field of early tape music both empirica...
The study seeks to establish how theories and concepts derived from electro-acoustic practice can in...
The birth of electroacoustic music is associated with an era of creativity which is now firmly embed...
Histories of electroacoustic music tend to converge around a limited set of grand narratives, which ...
In the 1950s using electronic devices to make music seemed like a new paradigm for composers eager t...
From the earliest experiments with the manipulation of 78-rpm disks during the 1920s, the technology...
Since its origins in the aristocratic European courts of the sixteenth and seventeenth centuries, th...
The Language of Electroacoustic Music (Emmerson, 1986) was published by the Macmillan Press in late ...
The availability and the choice of sources are an important aspect of the formation of music history...
Most historiographical discourses about electroacoustic music have been written following technologi...
Histories of electroacoustic music tend to converge around a limited set of grand narratives, which ...
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music,...
Although electroacoustic music was known in the first half of the 20th Century for its liberation of...
Electroacoustic music is inherently transdisciplinary. Crafted in varied environments, in many diffe...
'The Language of Electroacoustic Music' (Emmerson, 1986) has remained in print continuously since it...
This research advances the current state of knowledge in the field of early tape music both empirica...
The study seeks to establish how theories and concepts derived from electro-acoustic practice can in...