Products are not just objects by means of which we get things done. Apart from bringing aesthetic pleasures, for instance, they may also embody values we hold dear, communicate our fine taste to others, and help us define who we are. These widely varying functionalities are rooted in our capacity to perceive essentially lifeless forms as dynamic objects expressive of basic human experiences. This expressiveness forms the starting point for this thesis. Perceiving products as expressive in most cases comes most natural. One may readily perceive one object as distant, another as involved, and yet another as humble or proud, for instance, and at the same have an intuitive sense of what it is in a products appearance that contributes to a parti...
Form and expression are basic notions in design aesthetics and design aesthetics education. This is ...
The overall aim of this paper is to demonstrate that there is a need for supplementing the theory of...
How is it possible that we hear music or see paintings as expressive of affective states? How is it ...
EXPRESSIONS: EMBODIMENT IN THE EXPERIENCE OF DESIGN Products are not just objects by means of which ...
Since the introduction of the embodied cognition framework in cognitive and social psychology, numer...
This chapter presents different perspectives on (product) expression or symbolic meaning (synonyms u...
A natural landscape can look serene, a shade of colour cheerful and a piece of music might sound hea...
Based on the work of Lakoff and Johnson, this paper argues that part of our product experience is ro...
Working paper serie RMT (WPS 02-08)Consumers are attracted by product designs that feel “alive” and ...
Expression is, in its paradigmatic sense, the activity through which we let others know about our ow...
Numerous designers, sociologists, and psychologists have written about the relationships we establis...
The actual globalised market suggests that most indus- trial products can be sold everywhere in the ...
In design practice emotions elicited by product appearance are often considered to be intangible and...
What we call the ‘expressive’ character of sounds, colours or shapes basically arises from nothing e...
Looking to develop my professional design practice in the field of product design, I pursued this re...
Form and expression are basic notions in design aesthetics and design aesthetics education. This is ...
The overall aim of this paper is to demonstrate that there is a need for supplementing the theory of...
How is it possible that we hear music or see paintings as expressive of affective states? How is it ...
EXPRESSIONS: EMBODIMENT IN THE EXPERIENCE OF DESIGN Products are not just objects by means of which ...
Since the introduction of the embodied cognition framework in cognitive and social psychology, numer...
This chapter presents different perspectives on (product) expression or symbolic meaning (synonyms u...
A natural landscape can look serene, a shade of colour cheerful and a piece of music might sound hea...
Based on the work of Lakoff and Johnson, this paper argues that part of our product experience is ro...
Working paper serie RMT (WPS 02-08)Consumers are attracted by product designs that feel “alive” and ...
Expression is, in its paradigmatic sense, the activity through which we let others know about our ow...
Numerous designers, sociologists, and psychologists have written about the relationships we establis...
The actual globalised market suggests that most indus- trial products can be sold everywhere in the ...
In design practice emotions elicited by product appearance are often considered to be intangible and...
What we call the ‘expressive’ character of sounds, colours or shapes basically arises from nothing e...
Looking to develop my professional design practice in the field of product design, I pursued this re...
Form and expression are basic notions in design aesthetics and design aesthetics education. This is ...
The overall aim of this paper is to demonstrate that there is a need for supplementing the theory of...
How is it possible that we hear music or see paintings as expressive of affective states? How is it ...