Add to ORKG<p>Reviewing the meetings and divergences between the Cinema and Psychoanalysis, then develop some notions of audiovisual analysis of film texts, a brief itinerary of Psychoanalysts and practices performed throughout the history of the film industry. Finally, a methodological and research proposal, designed to relieve some theory on mass media arises what would Psychoanalysis, through the study of film reconstruction of this.</p
From a psychoanalytical point of view, the cinematographic art can be understood – most of the time-...
Psychology is one of the sciences that consciously overlap in terms of mutual influence with art for...
This paper interrogates selected cinematic and stylistic techniques with a view to establishing why ...
That psychoanalysis and cinema share a great deal has almost become a conceptual and historical (ind...
We see the film like a reality because our perception of the film is like a reality around us. Movie...
This paper focuses on a peculiar aspect of film viewing, specifically the way in which—interacting w...
Although they are often considered separately, there are two possible relationships between psychoan...
Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, P...
In the article Jacques Derrida's theories about the film deconstruction are reflected. Research is i...
This study reads contemporary psychoanalytic film theory as a discourse which implies specific styli...
Movie and psychoanalysis have similar characteristic. Movie creation as an art form is the process o...
In my thesis, I argue that the question of superiority and authority became more significant for Fre...
This project aims to interrelate psychoanalytic theory, the constitution of subjectivity and 1940s H...
This paper explores Alfred Hitchcock’s use of Freudian psychoanalysis in a number of his films, with...
Using the film, Morvern Callar, directed by Lynne Ramsay (2002) in order to reflect on the impact of...
From a psychoanalytical point of view, the cinematographic art can be understood – most of the time-...
Psychology is one of the sciences that consciously overlap in terms of mutual influence with art for...
This paper interrogates selected cinematic and stylistic techniques with a view to establishing why ...
That psychoanalysis and cinema share a great deal has almost become a conceptual and historical (ind...
We see the film like a reality because our perception of the film is like a reality around us. Movie...
This paper focuses on a peculiar aspect of film viewing, specifically the way in which—interacting w...
Although they are often considered separately, there are two possible relationships between psychoan...
Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, P...
In the article Jacques Derrida's theories about the film deconstruction are reflected. Research is i...
This study reads contemporary psychoanalytic film theory as a discourse which implies specific styli...
Movie and psychoanalysis have similar characteristic. Movie creation as an art form is the process o...
In my thesis, I argue that the question of superiority and authority became more significant for Fre...
This project aims to interrelate psychoanalytic theory, the constitution of subjectivity and 1940s H...
This paper explores Alfred Hitchcock’s use of Freudian psychoanalysis in a number of his films, with...
Using the film, Morvern Callar, directed by Lynne Ramsay (2002) in order to reflect on the impact of...
From a psychoanalytical point of view, the cinematographic art can be understood – most of the time-...
Psychology is one of the sciences that consciously overlap in terms of mutual influence with art for...
This paper interrogates selected cinematic and stylistic techniques with a view to establishing why ...