Add to ORKGIn order to analyze possible relations among silences and voices in film, this article aims to connect a a contemporary production, Tabu, by Miguel Gomes, 2012, to a 1969 film, Stereo, by David Cronenberg. To analyze the relation between both sound elements and images is to present, for a first time in written words, the results of a brand new research, which studies the possible interfaces between silences and voices in contemporary filmmaking
This article identifies silent film soundtracks as evidence of the tensions between old and new audi...
The goal of this work is to popularize certain sound theory issues (e.g. storytelling, interactivity...
Le silence est au cœur de tous les tissages musicaux, littéraires, cinématographiques. Son importanc...
Com o intuito de discorrer sobre as relações possíveis entre silêncios e vozes no cinema, este artig...
The possibility of being in a place, with distinctive sound characteristics, for a long period of ti...
Despite suffering from the after-effects of both World Wars and competition with music halls, mime, ...
This thesis is an attempt to formulate a systematic framework for ‘silence studies’ in the cinema by...
Despite extensive research on the notion of silence across a wide range of disciplines (music, philo...
Within the little explored field of film sound, resides an even more obscure question: can silences ...
This work aims to discuss the representation of silence in films. Our objects of study are the film...
The contributions in this volume focus on the ways in which silence and music relate, contemplate ea...
This article analyzes the use of the voice in excerpts from The swamp, the first film of Argentinean...
The purpose of the study is to identify the means and methods of introducing new technologies to pro...
The main goal of this thesis is to describe the unofficial genre of films without speech and to anal...
How can a voice whose source is never seen—such as Hal in 2001: A Space Odyssey or the mother of Nor...
This article identifies silent film soundtracks as evidence of the tensions between old and new audi...
The goal of this work is to popularize certain sound theory issues (e.g. storytelling, interactivity...
Le silence est au cœur de tous les tissages musicaux, littéraires, cinématographiques. Son importanc...
Com o intuito de discorrer sobre as relações possíveis entre silêncios e vozes no cinema, este artig...
The possibility of being in a place, with distinctive sound characteristics, for a long period of ti...
Despite suffering from the after-effects of both World Wars and competition with music halls, mime, ...
This thesis is an attempt to formulate a systematic framework for ‘silence studies’ in the cinema by...
Despite extensive research on the notion of silence across a wide range of disciplines (music, philo...
Within the little explored field of film sound, resides an even more obscure question: can silences ...
This work aims to discuss the representation of silence in films. Our objects of study are the film...
The contributions in this volume focus on the ways in which silence and music relate, contemplate ea...
This article analyzes the use of the voice in excerpts from The swamp, the first film of Argentinean...
The purpose of the study is to identify the means and methods of introducing new technologies to pro...
The main goal of this thesis is to describe the unofficial genre of films without speech and to anal...
How can a voice whose source is never seen—such as Hal in 2001: A Space Odyssey or the mother of Nor...
This article identifies silent film soundtracks as evidence of the tensions between old and new audi...
The goal of this work is to popularize certain sound theory issues (e.g. storytelling, interactivity...
Le silence est au cœur de tous les tissages musicaux, littéraires, cinématographiques. Son importanc...