Add to ORKGThe paper has two main objectives. One of them is to discern the textual and semantic characteristics of all allegorical-metaphorical films made in Argentina during last military dictatorship and the early stage of post-dictatorship. The other is to analyze, in a critical an reflexive way, two emblematic films of this trend dedicated to theming and represent the figures of victims and perpetrators: <em>Last Days of the Victim</em> (<em>Últimos dias da vítima</em> 1982), by Adolfo Aristarain, and <em>There are a Guys Downstairs</em> (<em>Existem</em><em> alguns caras para baixo</em>, 1985), by Rafael Filippelli and Emilio Alfaro
En esta tesis se estudia cómo a través de los relatos visuales del grupo artístico Escombros , los c...
A small number of articles and book chapters have analysed post-dictatorship Argentine science ficti...
This work aims to analyze clandestine cinema as an instrument and political manifest. The object and...
The paper has two main objectives. One of them is to discern the textual and semantic characteristic...
El artículo tiene dos objetivos centrales. Uno de ellos es discernir las características textuales y...
During last Argentine militar dictatorship (1976-1983), and first period of the post-dictatorship (1...
Allegorical and metaphorical fiction has been a highly productive tendency in Chilean and Argentinea...
Our purpose in this paper is to present some reflections about the relationship between geopolitics ...
In the course of the last Argentine military dictatorship (1976-1983), the cinema and the audiovisua...
This work is part of a broader study. This article analyzes Argentine films about the genocide perpe...
With the arrival of democracy, Argentine cinema sought to represent in a variety of way...
This paper analyzes a series of films that, in different ways, seeks to represent the last Argentine...
This paper examines the backlighting technique used in Argentine movies (mainly Valentín, Kamchatka,...
In the course of the last Argentine military dictatorship (1976-1983), the cinema and the audiovisua...
This chapter examines the culture of memory evidenced in filmmaking in Argentina during the Kirchner...
En esta tesis se estudia cómo a través de los relatos visuales del grupo artístico Escombros , los c...
A small number of articles and book chapters have analysed post-dictatorship Argentine science ficti...
This work aims to analyze clandestine cinema as an instrument and political manifest. The object and...
The paper has two main objectives. One of them is to discern the textual and semantic characteristic...
El artículo tiene dos objetivos centrales. Uno de ellos es discernir las características textuales y...
During last Argentine militar dictatorship (1976-1983), and first period of the post-dictatorship (1...
Allegorical and metaphorical fiction has been a highly productive tendency in Chilean and Argentinea...
Our purpose in this paper is to present some reflections about the relationship between geopolitics ...
In the course of the last Argentine military dictatorship (1976-1983), the cinema and the audiovisua...
This work is part of a broader study. This article analyzes Argentine films about the genocide perpe...
With the arrival of democracy, Argentine cinema sought to represent in a variety of way...
This paper analyzes a series of films that, in different ways, seeks to represent the last Argentine...
This paper examines the backlighting technique used in Argentine movies (mainly Valentín, Kamchatka,...
In the course of the last Argentine military dictatorship (1976-1983), the cinema and the audiovisua...
This chapter examines the culture of memory evidenced in filmmaking in Argentina during the Kirchner...
En esta tesis se estudia cómo a través de los relatos visuales del grupo artístico Escombros , los c...
A small number of articles and book chapters have analysed post-dictatorship Argentine science ficti...
This work aims to analyze clandestine cinema as an instrument and political manifest. The object and...