Add to ORKGThis study aims at discussing the role of balance and proportion in the expositional scope within a Classical Sonata Form movement. While using the approach, model and labels proposed by James Hepokoski and Warren Darcy in Elements of Sonata Theory (2006), it also challenges the application of some of their analytical tools. Throughout this study, special attention is given to different treatments of expositional spaces, including a few significantly difficult cases for the repertoire. The intention here is to observe the interaction between these spaces in light of the dual function in the expositional trajectory: (1) to fulfill the harmonic requirement in destabilizing the tonic key; and (2) to attain a rhetorically reasonable organizatio...
Mozart’s wind music occupies a rather small space in the overall scope of his compositional output, ...
Recent theories of sonata form compensate for a perceived overemphasis on harmonic structure during ...
While many well-known studies of classical sonata form discuss trends shared by several composers in...
This study of large-scale closure in Mozart's sonata-form first movements focusses on the structure ...
The moderato of Bartók\u27s Second String Quartet is a lucid and eloquent sonata form that conforms ...
The bridge passage of sonata form has generally been considered less attractive to listeners and ana...
The bridge passage of sonata form has generally been considered less attractive to listeners and ana...
This article addresses the issue of parametric non-congruence as it affects the articulation of clos...
This article addresses the issue of parametric non-congruence as it affects the articulation of clos...
By the end of the eighteenth century, questions of form in Western instrumental music centered larg...
The core of this thesis provides hypermetric analyses of the expositions from the Opp. 22, 53 and 10...
The first movements of Tchaikovsky’s Fourth and Brahms’s Third Symphonies are examined from the pers...
Contemporary theories of concerto first-movement form frequently approach their subject matter by se...
Using Hepokoski and Darcy’s sonata theory, I analyze how the formal ambiguities of the first movemen...
The medial caesura (MC) is a mid-expositional break that divides a sonata-form exposition into two p...
Mozart’s wind music occupies a rather small space in the overall scope of his compositional output, ...
Recent theories of sonata form compensate for a perceived overemphasis on harmonic structure during ...
While many well-known studies of classical sonata form discuss trends shared by several composers in...
This study of large-scale closure in Mozart's sonata-form first movements focusses on the structure ...
The moderato of Bartók\u27s Second String Quartet is a lucid and eloquent sonata form that conforms ...
The bridge passage of sonata form has generally been considered less attractive to listeners and ana...
The bridge passage of sonata form has generally been considered less attractive to listeners and ana...
This article addresses the issue of parametric non-congruence as it affects the articulation of clos...
This article addresses the issue of parametric non-congruence as it affects the articulation of clos...
By the end of the eighteenth century, questions of form in Western instrumental music centered larg...
The core of this thesis provides hypermetric analyses of the expositions from the Opp. 22, 53 and 10...
The first movements of Tchaikovsky’s Fourth and Brahms’s Third Symphonies are examined from the pers...
Contemporary theories of concerto first-movement form frequently approach their subject matter by se...
Using Hepokoski and Darcy’s sonata theory, I analyze how the formal ambiguities of the first movemen...
The medial caesura (MC) is a mid-expositional break that divides a sonata-form exposition into two p...
Mozart’s wind music occupies a rather small space in the overall scope of his compositional output, ...
Recent theories of sonata form compensate for a perceived overemphasis on harmonic structure during ...
While many well-known studies of classical sonata form discuss trends shared by several composers in...