In the depictions presented in the article the gesture of raised hands expresses either Mourning or the feelings connected with Entombing, whose image is supplemented by the gesture of raised hands from the scene of Mourning, among others. The main source of illustration in these works seems to be Italian art, present in Western European painting. Its basis are iconographic solutions of the Byzantine art
The wall-paintings in the Tempietto Longobardo di Cividale, ca. 750/760, are rendered in an unmistak...
The iconography created during the 800-year-long Serbian history depicts the times filled with impor...
Iconographic tradition of the image of Pensive Christ in Lithuania did not only preserve its most ar...
In medieval Passion cycles represented in Czech, Slovak (former Hungary), and Polish murals dating f...
The thesis named Typology and Iconography of Christ in Distress motive. Devotional theme of Christ i...
This article highlights the artistic and conceptual relevance of the iconographic type of the Corona...
Although traditionally associated with Eastern Christianity, the practice of venerating icons became...
Includes bibliographical references.Includes illustrations.This thesis traces the iconographic devel...
Straipsnyje aptariama Tytuvėnų bernardinų konvento pirmojo aukšto galerijoje esančio sienų tapybos c...
This thesis deals with the theme of the iconography of the Death of Virgin Mary, or, in other words,...
Anglická anotace Medieval Wall Paintings at Decan Church of the Nativity of Virgin Mary at Písek Fou...
Celem niniejszej pracy jest ukazanie rozwoju ikonografii pasji i zmartwychwstania w sztuce wczesnoch...
The books in the New Testament, testifying of Christ's passions and His tortures on the Cross are fu...
The subject of this study is to chronicle and elaborate on the existing mural paintings in our terri...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
The wall-paintings in the Tempietto Longobardo di Cividale, ca. 750/760, are rendered in an unmistak...
The iconography created during the 800-year-long Serbian history depicts the times filled with impor...
Iconographic tradition of the image of Pensive Christ in Lithuania did not only preserve its most ar...
In medieval Passion cycles represented in Czech, Slovak (former Hungary), and Polish murals dating f...
The thesis named Typology and Iconography of Christ in Distress motive. Devotional theme of Christ i...
This article highlights the artistic and conceptual relevance of the iconographic type of the Corona...
Although traditionally associated with Eastern Christianity, the practice of venerating icons became...
Includes bibliographical references.Includes illustrations.This thesis traces the iconographic devel...
Straipsnyje aptariama Tytuvėnų bernardinų konvento pirmojo aukšto galerijoje esančio sienų tapybos c...
This thesis deals with the theme of the iconography of the Death of Virgin Mary, or, in other words,...
Anglická anotace Medieval Wall Paintings at Decan Church of the Nativity of Virgin Mary at Písek Fou...
Celem niniejszej pracy jest ukazanie rozwoju ikonografii pasji i zmartwychwstania w sztuce wczesnoch...
The books in the New Testament, testifying of Christ's passions and His tortures on the Cross are fu...
The subject of this study is to chronicle and elaborate on the existing mural paintings in our terri...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
The wall-paintings in the Tempietto Longobardo di Cividale, ca. 750/760, are rendered in an unmistak...
The iconography created during the 800-year-long Serbian history depicts the times filled with impor...
Iconographic tradition of the image of Pensive Christ in Lithuania did not only preserve its most ar...