By applying terminology from trauma theory and a methodological approach from comics scholarship, this essay discusses three graphic autobiographies of women. These are A Game for Swallows by Zeina Abirached (trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Marjane Satrapi (trans. Anjali Singh, 2004). Two issues are at the centre of the investigation: the strategies by which these works engage in the much-debated issues of representing gendered violence, and the representation of the ways traumatized daughters and their mothers deal with the identity crises caused by war
Trauma theories have acquired paradigmatic significance in the study of war and representations of v...
This essay will examine the concept of traumatic identity in My Name is Salma, exploring theories of...
In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts t...
By applying terminology from trauma theory and a methodological approach from comics scholarship, t...
This book draws together international scholars to examine the representation of female trauma and w...
The comics medium has frequently been used to articulate the otherwise unspeakable nature of traumat...
This thesis focuses on two comic books by women that interweave personal trauma with the trauma of h...
This project uses women\u27s accounts—both written and oral—to examine women\u27s experiences of war...
This study situates the literary works of Amy Lowell, Djuna Barnes, H.D., and Gertrude Stein in a ge...
This entry details the traditional gendering of war imagery, focusing on photojournalism but with th...
This chapter aims to discuss the relationship between femininity and representations of women involv...
In this article I will firstly argue that genocide and wars are gendered but also often feminised vi...
The increasing visibility of armed women in violent conflicts in the modern world has unsettled conv...
As feminist and gender studies have demonstrated, sexual difference is one of the most important axe...
We first meet Matei Vişniec's characters in the play The Body of a Woman as a Battlefield in the Bos...
Trauma theories have acquired paradigmatic significance in the study of war and representations of v...
This essay will examine the concept of traumatic identity in My Name is Salma, exploring theories of...
In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts t...
By applying terminology from trauma theory and a methodological approach from comics scholarship, t...
This book draws together international scholars to examine the representation of female trauma and w...
The comics medium has frequently been used to articulate the otherwise unspeakable nature of traumat...
This thesis focuses on two comic books by women that interweave personal trauma with the trauma of h...
This project uses women\u27s accounts—both written and oral—to examine women\u27s experiences of war...
This study situates the literary works of Amy Lowell, Djuna Barnes, H.D., and Gertrude Stein in a ge...
This entry details the traditional gendering of war imagery, focusing on photojournalism but with th...
This chapter aims to discuss the relationship between femininity and representations of women involv...
In this article I will firstly argue that genocide and wars are gendered but also often feminised vi...
The increasing visibility of armed women in violent conflicts in the modern world has unsettled conv...
As feminist and gender studies have demonstrated, sexual difference is one of the most important axe...
We first meet Matei Vişniec's characters in the play The Body of a Woman as a Battlefield in the Bos...
Trauma theories have acquired paradigmatic significance in the study of war and representations of v...
This essay will examine the concept of traumatic identity in My Name is Salma, exploring theories of...
In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts t...