La narrativité du silence, de l’oubli et de la banalité du mal dans Suite française d’Irène Némirovsky

With this research about the great novel from Irène Némirovsky, titled Suite française (1942), the methodology of narrativity tries to show the complexity of the narrative function and, at the same time, the phenomenological and hermeneutic dimensions of silence and oblivion, the two previous and even contrary to writing manifestations, history and literature, and its implicit con-sequence, the banality of evil. The critical and philosophical metho-dology is inspired in the narrativity theory by Paul Ricœur, whose general principles are displayed mainly in his magnum opus Temps et récit