Power play: ritual rivalry and targeted tradition in Glastonbury

Glastonbury, a small town in the south-west of England, is considered significant by a wide variety of spiritual seekers, including Christians of various denominations, pagans, Druids, Goddess devotees, self-styled ‘New Agers’, Buddhists, Sufis, earth energies researchers, healers and ­others who feel that they have in some way been ‘called’ or ‘drawn’ to the town. Although, for the most part, groups and individuals of very different reli­gious persuasion co-exist comparatively peacefully and a largely laissez-faire attitude to pluralism has developed in the town, increasingly some rivalries and differences in worldview are being played out publicly in ‘traditional’ forms such as processions, rituals and calendar customs. While such traditional religious means are used on occasion to express concord rather than conflict, proclaiming and reclaiming are very much part of the ethos of ritual and processional activity in Glastonbury at present, with pageantry and calendar customs regarded as valuable tools in establishing presence and priority in both overt and subtle ways. The extent to which rival claims to territorial and spiritual supremacy are being played out in the (re)creation of rituals and other forms of public display are examined here briefly through two sets of case studies which feature vernacular religious forms being used in relation to contemporary spir­­ituality. The first set involves the Christian Glastonbury Pilgrimage processions and their pagan counterpart the Goddess in the Cart Procession; the second involves the Glastonbury Thorn Ceremony and the Chalice Well Winter Solstice Celebration. The focus here is on the comparative and tactical aspects of these event