By analyzing the forms and contents of the presentations made by indigenous performers and writers at the I Literary Party of Indigenous Poetics, this article exposes the challenges faced by traditional genre theories in tackling indigenous narratives and analyses how this “crisis” contributes to widening hierarchical and Western biased conceptions. On a stage open to contemporary indigenous expression, as is the literary party, the concepts of performance and storytelling, with the social function of maintaining tradition, continuous learning and transformation, better define this indigenous expression
This article examines critical discourses and approaches for the study of Indigenous literatures acr...
This study offers an exploration of the drama which contains Aboriginal people's effortto attain a v...
Indigenous Australian women who perform contemporary music are acutely aware that Aboriginalist disc...
By analyzing the forms and contents of the presentations made by indigenous performers and writers a...
Indigenous writers today are the living legacy of our elders and ancestors who survived Indian resid...
Since the 1980s, a particular challenge for many Indigenous authors of collaborative life-writing ha...
This study contributes to research into genre innovation and scholarship exploring how Indigenous ep...
This paper will explore the use of language as a form of resistance among the indigenous writers of ...
Over the past decade Australian theatre has seen an increased profile for works written and created ...
This thesis is concerned with contexts of Aboriginal textuality and the discursive, critical, and po...
Drama confirms the roots of Indigenous literatures in traditional storytelling performances; therefo...
This thesis project illustrates how Indigenous-centered performance enables and supports collective ...
This chapter explores the notion that storytelling is an important and integral aspect of arts and l...
Updated translation of French book Le défi indigène. Entre spectacle et politique. Paris, Aux Lieux ...
This thesis proposes an Indigenous-centred approach to reading Australian Indigenous literature that...
This article examines critical discourses and approaches for the study of Indigenous literatures acr...
This study offers an exploration of the drama which contains Aboriginal people's effortto attain a v...
Indigenous Australian women who perform contemporary music are acutely aware that Aboriginalist disc...
By analyzing the forms and contents of the presentations made by indigenous performers and writers a...
Indigenous writers today are the living legacy of our elders and ancestors who survived Indian resid...
Since the 1980s, a particular challenge for many Indigenous authors of collaborative life-writing ha...
This study contributes to research into genre innovation and scholarship exploring how Indigenous ep...
This paper will explore the use of language as a form of resistance among the indigenous writers of ...
Over the past decade Australian theatre has seen an increased profile for works written and created ...
This thesis is concerned with contexts of Aboriginal textuality and the discursive, critical, and po...
Drama confirms the roots of Indigenous literatures in traditional storytelling performances; therefo...
This thesis project illustrates how Indigenous-centered performance enables and supports collective ...
This chapter explores the notion that storytelling is an important and integral aspect of arts and l...
Updated translation of French book Le défi indigène. Entre spectacle et politique. Paris, Aux Lieux ...
This thesis proposes an Indigenous-centred approach to reading Australian Indigenous literature that...
This article examines critical discourses and approaches for the study of Indigenous literatures acr...
This study offers an exploration of the drama which contains Aboriginal people's effortto attain a v...
Indigenous Australian women who perform contemporary music are acutely aware that Aboriginalist disc...