This contribution analyses a corpus of 29 meditative Lives of Jesus, which present a narrative element in a setting of contemplation or prayer. They can be divided into two basic forms: an 'epical' type, in which the subject matter - borrowed from the gospels and the apocrypha - is supplemented with explications meant to arouse devotion but presented as an ongoing narrative, and a type in which the content is articulated according to 'points' or 'hours'. The enormous output of these texts suggests that they were not meant for religious people only, but for the laity as well. It is possible that the two types correspond to two tendencies within late medieval devotional life: the proliferation of structured devotions on the one hand, and the ...
The use of images in intimate piety in the XIV–XV centuries responded to the need to create a mental...
The Lignum vitae of St. Bonaventure (1217-74) is the earliest and certainly among the finest literar...
This dissertation attends to one of the central problems of medieval art history: the role of images...
This contribution analyses a corpus of 29 meditative Lives of Jesus, which present a narrative eleme...
Christ’s life, as related through the Gospel narratives and early Apocrypha, was subject to a riot o...
Christ’s life, as related through the Gospel narratives and early Apocrypha, was subject to a riot o...
This dissertation is a study of the major spiritual themes which emerge from the prayers and Passion...
This essay explores the Dutch recension of the richly illustrated Latin Meditationes de vita et pass...
Late medieval devotional literature was one of several interacting media (images, preaching, drama, ...
In this article excerpts from the Life of Jesus are edited and commented upon. The edition mainly co...
This dissertation focuses on the best-known literary form of “popular” devotion in the late Middle A...
This study examines a set of model sermons written by Maurice de Sully c. 1160CE. The sermons were e...
This paper explores how the resurrection and ascension of Jesus Christ was discussed, explained and ...
This dissertation examines the representation of suffering in medieval affective devotional texts. ...
‘Use your imagination, visualise details, activate your emotions and employ your body.’ These ingred...
The use of images in intimate piety in the XIV–XV centuries responded to the need to create a mental...
The Lignum vitae of St. Bonaventure (1217-74) is the earliest and certainly among the finest literar...
This dissertation attends to one of the central problems of medieval art history: the role of images...
This contribution analyses a corpus of 29 meditative Lives of Jesus, which present a narrative eleme...
Christ’s life, as related through the Gospel narratives and early Apocrypha, was subject to a riot o...
Christ’s life, as related through the Gospel narratives and early Apocrypha, was subject to a riot o...
This dissertation is a study of the major spiritual themes which emerge from the prayers and Passion...
This essay explores the Dutch recension of the richly illustrated Latin Meditationes de vita et pass...
Late medieval devotional literature was one of several interacting media (images, preaching, drama, ...
In this article excerpts from the Life of Jesus are edited and commented upon. The edition mainly co...
This dissertation focuses on the best-known literary form of “popular” devotion in the late Middle A...
This study examines a set of model sermons written by Maurice de Sully c. 1160CE. The sermons were e...
This paper explores how the resurrection and ascension of Jesus Christ was discussed, explained and ...
This dissertation examines the representation of suffering in medieval affective devotional texts. ...
‘Use your imagination, visualise details, activate your emotions and employ your body.’ These ingred...
The use of images in intimate piety in the XIV–XV centuries responded to the need to create a mental...
The Lignum vitae of St. Bonaventure (1217-74) is the earliest and certainly among the finest literar...
This dissertation attends to one of the central problems of medieval art history: the role of images...