Add to ORKGThe Milan Triennials were a series of international exhibitions on design, fine arts, architecture and urban planning. Their history dates back to 1923 and includes several historical episodes. Since the beginning Belgium was a regular participant in the Milan Triennials. This paper discusses the Belgian sections from the early 1920 to the late 1950s and sheds a light on the changing approach in exhibiting the cultural and economical production of the nation
This paper compares two major exhibitions of Dutch and Belgian art held in London’s Royal Academy of...
Tervuren. The Belgian MirrorThe paper describes the history and the ideology of the Royal Museum for...
The keywords of the title of the conference in Zagreb (28-29 November 2014), âpostmediaâ and â...
The Milan Triennials were a series of international exhibitions on design, fine arts, architecture a...
The Milan Triennial moved into new exhibition spaces in 1933 and saw a major development in its hist...
The Belgian presence at world’s fair has a long, rich and challenging history. This text demonstrate...
This article presents an attempt to reconstruct the interiors of the triennial salons in Brussels, b...
The multifaceted context of the relationships between Italy and Belgium, before and after the establ...
The Ghent World Fair, organized in 1913, was a great opportunity for the city to encourage the reali...
In Belgium industrial design officially gained recognition relatively late. The national government ...
The International Exposition of 1937 marked a competitive showing of national pavilions. The large r...
In 1930 the echoes of the 1927 Weissenhof exhibition were received at the fourth edition of the trie...
The Ghent world fair of 1913 is the seventh universal and international exhibition organized in Belg...
In many Western countries the post-war period, up to the end of the 1950s, was characterized by a br...
The aims and objectives of the organizing committee of the Exposition universelle et internationale ...
This paper compares two major exhibitions of Dutch and Belgian art held in London’s Royal Academy of...
Tervuren. The Belgian MirrorThe paper describes the history and the ideology of the Royal Museum for...
The keywords of the title of the conference in Zagreb (28-29 November 2014), âpostmediaâ and â...
The Milan Triennials were a series of international exhibitions on design, fine arts, architecture a...
The Milan Triennial moved into new exhibition spaces in 1933 and saw a major development in its hist...
The Belgian presence at world’s fair has a long, rich and challenging history. This text demonstrate...
This article presents an attempt to reconstruct the interiors of the triennial salons in Brussels, b...
The multifaceted context of the relationships between Italy and Belgium, before and after the establ...
The Ghent World Fair, organized in 1913, was a great opportunity for the city to encourage the reali...
In Belgium industrial design officially gained recognition relatively late. The national government ...
The International Exposition of 1937 marked a competitive showing of national pavilions. The large r...
In 1930 the echoes of the 1927 Weissenhof exhibition were received at the fourth edition of the trie...
The Ghent world fair of 1913 is the seventh universal and international exhibition organized in Belg...
In many Western countries the post-war period, up to the end of the 1950s, was characterized by a br...
The aims and objectives of the organizing committee of the Exposition universelle et internationale ...
This paper compares two major exhibitions of Dutch and Belgian art held in London’s Royal Academy of...
Tervuren. The Belgian MirrorThe paper describes the history and the ideology of the Royal Museum for...
The keywords of the title of the conference in Zagreb (28-29 November 2014), âpostmediaâ and â...