The Greek manuscript no. 9 from 1751 – a unique manuscript in Romania tells us more about the musical tradition of the Eastern Church, tradition which provided the unmodified safekeeping until today of the music and repertory that is an integral part of the cult of the Orthodox Church. Taking into account the importance of this manuscript for the musicological research of the ecclesiastical chant before the hrisantic reform, this study deals with different aspects from the old theory of Byzantine music, as: metrophony, solfeggio, median modes and trohos system
The aim of the article is to identify evolutionary changes in the singing collections of the Ukraini...
The late 16th – the beginning of the 17th century became a turning point for the development of the ...
The first musical-theoretical manuals of ancient Russia appeared in the 15th century. They were rath...
Sacred Byzantine music originates from three sources: “the liturgy of heaven”, synagogue music as we...
The Orthodox church chant from South Transylvania is a variant of the Byzantine chant. It was transm...
Markos Skoulios' article relates of a peculiar understanding of modality, in general, of the Byzanti...
It is only recently that the attention of musicologists has been directed to the study of Eastern ch...
by Kyriakos Kalaitzidis. Transl.: Kiriaki Koubaroulis and Dimitri KoubaroulisAus dem Griechischen üb...
Interpretation of musical text of chants is important for understanding of its musical composition s...
Since the earliest times, music has always been present at all peoples, as each people tried to embe...
Aigrain René. Musicologie byzantine. In: Revue des Études Grecques, tome 54, fascicule 254-255, Janv...
The term mode (modus) appears in the history and theory of European music at different historical p...
The Middle Byzantine notation (MBn) is used to capture the plainchant melodies of eastern Orthodox C...
The purpose of the article is to analyse the manuscript collections of Menaions in the collection of...
The article below presents an overview of the main musicological studies that aim Bessarabian religi...
The aim of the article is to identify evolutionary changes in the singing collections of the Ukraini...
The late 16th – the beginning of the 17th century became a turning point for the development of the ...
The first musical-theoretical manuals of ancient Russia appeared in the 15th century. They were rath...
Sacred Byzantine music originates from three sources: “the liturgy of heaven”, synagogue music as we...
The Orthodox church chant from South Transylvania is a variant of the Byzantine chant. It was transm...
Markos Skoulios' article relates of a peculiar understanding of modality, in general, of the Byzanti...
It is only recently that the attention of musicologists has been directed to the study of Eastern ch...
by Kyriakos Kalaitzidis. Transl.: Kiriaki Koubaroulis and Dimitri KoubaroulisAus dem Griechischen üb...
Interpretation of musical text of chants is important for understanding of its musical composition s...
Since the earliest times, music has always been present at all peoples, as each people tried to embe...
Aigrain René. Musicologie byzantine. In: Revue des Études Grecques, tome 54, fascicule 254-255, Janv...
The term mode (modus) appears in the history and theory of European music at different historical p...
The Middle Byzantine notation (MBn) is used to capture the plainchant melodies of eastern Orthodox C...
The purpose of the article is to analyse the manuscript collections of Menaions in the collection of...
The article below presents an overview of the main musicological studies that aim Bessarabian religi...
The aim of the article is to identify evolutionary changes in the singing collections of the Ukraini...
The late 16th – the beginning of the 17th century became a turning point for the development of the ...
The first musical-theoretical manuals of ancient Russia appeared in the 15th century. They were rath...