Between reality and deception: the anamorphosis in visual communication

This article aims to reflect on the use of anamorphosis in the context of the graphic and visual communication by presenting a brief evolution of anamorphosis in visual communication, from its origin to the present time, through the analysis of historical and contemporary examples of anamorphic representations used in art and design. This is a reflection on the potential of the mechanism of anamorphosis as a vehicle of visual communication based on perceptive game between reality and deception. Thus, we propose the possibility of this perceptual mechanism to fit in a more comprehensive history, the history of visuality