When people construct and share posts on social network sites like Facebook and Twitter, whom do they imagine as their audience? How do users describe this imagined audience ? Do they have a sub-audience in mind (e.g., “friends who like reality television”)? Do they share more broadly and abstractly (e.g., “the public”)? Do such imaginings fluctuate each time a person posts? Using a mixed-methods approach involving a 2-month-long diary study of 119 diverse American adults and their 1,200 social network site posts, supplemented with follow-up interviews ( N = 30), this study explores the imagined audience on social network sites. The findings reveal that even though users often interacted with large diverse audiences as they posted, they co...
Processes of (dis)identification on social media take place in an environment generally described in...
How do producers and designers of Internet services and contents conceive of their publics? Both med...
Notwithstanding the problems with identifying audiences (c.f. Hartley, 1987), nor with sampling them...
When people construct and share posts on social network sites like Facebook and Twitter, whom do the...
Users of Social Network Sites (SNS) use the networks to share content and information about themselv...
Social media users hardly know who is reading their posts, but they form ideas about their readershi...
This article examines the understandings and meanings of personal information sharing online using a...
Facebook identity management implies a selective front and backstage: users perform multiple social ...
Blurring boundaries between producers and audiences are widely acknowledged (Bruns, 2005; Jenkins, 2...
This paper combines survey and large-scale log data to examine how well users’ perceptions of their ...
Facebook identity management implies a selective front and backstage: users perform multiple social ...
Facebook identity management implies a selective front and backstage: users perform multiple social ...
The authors follow users’ footprints on the <social network> of Facebook. What really intere...
Social media has turned all of us into potential authors of content. This phenomenon has further fac...
This paper analyses Estonian high–school students (N=15) perceptions about the imagined audien...
Processes of (dis)identification on social media take place in an environment generally described in...
How do producers and designers of Internet services and contents conceive of their publics? Both med...
Notwithstanding the problems with identifying audiences (c.f. Hartley, 1987), nor with sampling them...
When people construct and share posts on social network sites like Facebook and Twitter, whom do the...
Users of Social Network Sites (SNS) use the networks to share content and information about themselv...
Social media users hardly know who is reading their posts, but they form ideas about their readershi...
This article examines the understandings and meanings of personal information sharing online using a...
Facebook identity management implies a selective front and backstage: users perform multiple social ...
Blurring boundaries between producers and audiences are widely acknowledged (Bruns, 2005; Jenkins, 2...
This paper combines survey and large-scale log data to examine how well users’ perceptions of their ...
Facebook identity management implies a selective front and backstage: users perform multiple social ...
Facebook identity management implies a selective front and backstage: users perform multiple social ...
The authors follow users’ footprints on the <social network> of Facebook. What really intere...
Social media has turned all of us into potential authors of content. This phenomenon has further fac...
This paper analyses Estonian high–school students (N=15) perceptions about the imagined audien...
Processes of (dis)identification on social media take place in an environment generally described in...
How do producers and designers of Internet services and contents conceive of their publics? Both med...
Notwithstanding the problems with identifying audiences (c.f. Hartley, 1987), nor with sampling them...