This study aims to analyze the techniques and materials of sculptures of the Passion of Christ, located in the lateral altarpieces of the ship and of the consistory of the Church of Third Order of Our Lady of Carmen of Ouro Preto (MG). It was emphasized the technology of wood carving with polychrome lead mask, common in Spain and Andean countries in the 17th and 18th centuries, which is rare in Minas Gerais. The methodology used was the bibliographic survey in the areas of history, art; in situ research and photographic record of Christs Passion. Such images must be preserved and recognized as an important source of historical, artistic and social research
This study focuses on the intervention methodologies applied on a polymateric polychrome sculpture o...
This paper presents the results of the analysis carried out on a polychrome wood mask from Papua New...
Romanesque polychromed wooden imagery in the Iberian Peninsula (12th-13th centuries) stands both as ...
Three polychrome wooden sculptures, made between the last quarter of the 17th century and the first ...
A pesquisa do imaginário procedente das imagens sacras barrocas representa um dos atributos necessár...
Sculpted representations of the Passion of Christ became widely used for popular religious devotion ...
The object of this paper is the diagnostic campaign performed on the polychrome wooden statue, rever...
The object of this paper is the diagnostic campaign performed on the polychrome wooden statue, rever...
In Portugal, over the centuries, religion used painting on canvas to evoke its sacred mysteries. De...
A polychrome wood sculpture depicting Saint John at Calvary, probably a 17th century Portuguese prod...
Abstract: Portuguese tiles in Portugal and Brazil are often considered as objects belonging to the H...
Domínguez Torres, MónicaFor centuries, the sixteen paintings of Old Testament prophets that adorn th...
The busts reliquary of the Madre de Deus Monastery in Lisbon, which referred to models of a Christia...
In 1989 we started the studies about gilding and polychromy on wood in the North of Portugal. Our re...
This work is integrated to the research line History Education and Historic Knowledge, of the Master...
This study focuses on the intervention methodologies applied on a polymateric polychrome sculpture o...
This paper presents the results of the analysis carried out on a polychrome wood mask from Papua New...
Romanesque polychromed wooden imagery in the Iberian Peninsula (12th-13th centuries) stands both as ...
Three polychrome wooden sculptures, made between the last quarter of the 17th century and the first ...
A pesquisa do imaginário procedente das imagens sacras barrocas representa um dos atributos necessár...
Sculpted representations of the Passion of Christ became widely used for popular religious devotion ...
The object of this paper is the diagnostic campaign performed on the polychrome wooden statue, rever...
The object of this paper is the diagnostic campaign performed on the polychrome wooden statue, rever...
In Portugal, over the centuries, religion used painting on canvas to evoke its sacred mysteries. De...
A polychrome wood sculpture depicting Saint John at Calvary, probably a 17th century Portuguese prod...
Abstract: Portuguese tiles in Portugal and Brazil are often considered as objects belonging to the H...
Domínguez Torres, MónicaFor centuries, the sixteen paintings of Old Testament prophets that adorn th...
The busts reliquary of the Madre de Deus Monastery in Lisbon, which referred to models of a Christia...
In 1989 we started the studies about gilding and polychromy on wood in the North of Portugal. Our re...
This work is integrated to the research line History Education and Historic Knowledge, of the Master...
This study focuses on the intervention methodologies applied on a polymateric polychrome sculpture o...
This paper presents the results of the analysis carried out on a polychrome wood mask from Papua New...
Romanesque polychromed wooden imagery in the Iberian Peninsula (12th-13th centuries) stands both as ...