In his unfinished and posthumously published book Apologie pour l’histoire, Marc Bloch bestowed on future historians a seminal legacy of critical reflections on the concept of time as the object of historical analysis. During the last decades, the concept of time in History has experienced a renewed interest by professional historians, in particular in reference to the category of anachronism. The Italian historian Carlo Ginzburg and the French art historian Georges Didi-Huberman are among those engaged in this debate. This article offers a reading of two works by these historians with the purpose of underlying the fundamental influence that Marc Bloch’s ideas on time had in Ginzburg and Didi-Hubermans’ critical interventions
Time is a fundamental concept and context in translation history that merits more specific considera...
"Why praise anachronism when we are historians?" - asked Loraux. Anachronism was once a sin for hist...
The objective of this article is to reflect on how Henri Focillon treated time in the work of art, b...
In his unfinished and posthumously published book Apologie pour l’histoire, Marc Bloch bestowed on f...
One of the main theoretical proposals by Georges Didi-Huberman is his intent of thinking art’s ...
The way historians relate to time is both an intimate and a complex matter. Intimate because, as Mar...
According to the author, time consists of the articulation of natural processes by the chronothetic ...
Rather than being the subject of history, time is commonly assumed to be a condition for history. Ev...
This article calls attention to the outstanding conceptual work related to time that the historical ...
According to Jan Assmann the cultural construction of time is the most fundamental and all encompass...
UID/PAM/00417/2013This article focuses on the critical and explanatory analysis of Georges Didi-Hube...
Chronology has been called the backbone of history and it is true that the linear time model in the ...
This paper analyzes the historiographical contributions of Carlo Ginzburg in the discipline of art h...
Figures of historical time and instances of the method. The paper highlights the interaction between...
The article explores interpretations of fusion between “time” and “history”. These are defi ned as h...
Time is a fundamental concept and context in translation history that merits more specific considera...
"Why praise anachronism when we are historians?" - asked Loraux. Anachronism was once a sin for hist...
The objective of this article is to reflect on how Henri Focillon treated time in the work of art, b...
In his unfinished and posthumously published book Apologie pour l’histoire, Marc Bloch bestowed on f...
One of the main theoretical proposals by Georges Didi-Huberman is his intent of thinking art’s ...
The way historians relate to time is both an intimate and a complex matter. Intimate because, as Mar...
According to the author, time consists of the articulation of natural processes by the chronothetic ...
Rather than being the subject of history, time is commonly assumed to be a condition for history. Ev...
This article calls attention to the outstanding conceptual work related to time that the historical ...
According to Jan Assmann the cultural construction of time is the most fundamental and all encompass...
UID/PAM/00417/2013This article focuses on the critical and explanatory analysis of Georges Didi-Hube...
Chronology has been called the backbone of history and it is true that the linear time model in the ...
This paper analyzes the historiographical contributions of Carlo Ginzburg in the discipline of art h...
Figures of historical time and instances of the method. The paper highlights the interaction between...
The article explores interpretations of fusion between “time” and “history”. These are defi ned as h...
Time is a fundamental concept and context in translation history that merits more specific considera...
"Why praise anachronism when we are historians?" - asked Loraux. Anachronism was once a sin for hist...
The objective of this article is to reflect on how Henri Focillon treated time in the work of art, b...