<p>The TV industry has traditionally relied on advertising and subscription fees for revenue. Recently, brand extensions and co-branding strategies have been rediscovered as income sources. A prominent example of such a strategy is the TV format Dragons’ Den, which has been locally produced in many different countries. We use this intriguing case to explore the extensive and intricate co-branding relationships and brand extensions in the business-to-consumer and the business-to-business settings of TV companies. Our paper analyses global adaptations and cultural branding of Dragons’Den; in particular, brand extensions and co-branding strategies.</p
This is a case study of the Australian company Jonathan M. Shiff Productions and its ‘tween’ program...
Powerful media branding has historically facilitated successful international expansion on the part ...
Branded content as an advertising tactic is a growing phenomenon that is not widely researched and i...
The TV industry has traditionally relied on advertising and subscription fees for revenue. Recently,...
In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increas...
This is a pioneering study of television programmes from a brand management perspective by bringing ...
Commercially successful ideas in the creative world are often imitated or adapted. Television format...
This article presents a content analysis of brand placement on Dutch television, followed by 24 inte...
This chapter analyses the impact of digitalization on TV marketing strategies focusing on the role o...
Strong brands are necessary in media because technology has increased thenumber of content providers...
Commercially successful ideas in the creative world are often imitated or adapted. Television format...
With the development of the global entertainment industry, film and television productions are incre...
The research explores the Ukrainian TV market, where major TV channels are owned by the four large m...
Television continues to be a dominant media in the 21st century. As the world continues to “shrink...
Challenging assumptions that have underpinned critiques of globalization and combining cultural theo...
This is a case study of the Australian company Jonathan M. Shiff Productions and its ‘tween’ program...
Powerful media branding has historically facilitated successful international expansion on the part ...
Branded content as an advertising tactic is a growing phenomenon that is not widely researched and i...
The TV industry has traditionally relied on advertising and subscription fees for revenue. Recently,...
In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increas...
This is a pioneering study of television programmes from a brand management perspective by bringing ...
Commercially successful ideas in the creative world are often imitated or adapted. Television format...
This article presents a content analysis of brand placement on Dutch television, followed by 24 inte...
This chapter analyses the impact of digitalization on TV marketing strategies focusing on the role o...
Strong brands are necessary in media because technology has increased thenumber of content providers...
Commercially successful ideas in the creative world are often imitated or adapted. Television format...
With the development of the global entertainment industry, film and television productions are incre...
The research explores the Ukrainian TV market, where major TV channels are owned by the four large m...
Television continues to be a dominant media in the 21st century. As the world continues to “shrink...
Challenging assumptions that have underpinned critiques of globalization and combining cultural theo...
This is a case study of the Australian company Jonathan M. Shiff Productions and its ‘tween’ program...
Powerful media branding has historically facilitated successful international expansion on the part ...
Branded content as an advertising tactic is a growing phenomenon that is not widely researched and i...