In the following paper I’ll try to explain how aesthetic experiences cannot be utterly defined through language. I’ll start from this point, supporting my arguments on the theory of the so called second Wittgenstein regarding language’s limitations. So as to address the issue in a better way and taking the works of Magritte and Duchamp as referents, I will establish some connections between art and philosophy, thus raising the question of what may or may not be considered as a work of art. Finally, we shall approach the issue under the light shed by Foucault’s and mainly Gadamer’s theories
THE DEFINITION I propose is intended to capture the classificatory use of 'art' and '...
The ontological question challanges the nature of the existence of works of art. The text presents b...
The article analyzes the argument for the impossibility of the definition of art by Morris Weitz whi...
the Mona Lisa, the Mondscheinsonate, the Chanson d’automne are works of art, the salt shaker on your...
This paper considers Joseph Margolis’ aesthetics as an insightful way for making a critical balance ...
Wittgenstein’s distinction between saying and showing and the associated thesis, what can be shown c...
The current form and transformation of artistic practice in the 20th and 21st century caused some es...
The question of whether or not art is essentially a representation of reality has long been a bone o...
In a talk I gave ten years ago, ‘What If There Were No Such Thing as the Aesthetic? ’ I tried to sho...
Defining Art asks for, outside a debate on Art. a discussion on the definition itself. Is it necessa...
By way of introduction to a problem little known to French-speakers in general, namely the analytica...
That art functions as a corrective to rational-scientific insights is one of the formative thoughts ...
This paper intended to show the main views against the possibility of the definition of art under d...
The successful specification of the definition of art has so far proven elusive. Discouraged by repe...
Considering that dominant interpretation of Wittgenstein’s philosophy ignores what stands outside of...
THE DEFINITION I propose is intended to capture the classificatory use of 'art' and '...
The ontological question challanges the nature of the existence of works of art. The text presents b...
The article analyzes the argument for the impossibility of the definition of art by Morris Weitz whi...
the Mona Lisa, the Mondscheinsonate, the Chanson d’automne are works of art, the salt shaker on your...
This paper considers Joseph Margolis’ aesthetics as an insightful way for making a critical balance ...
Wittgenstein’s distinction between saying and showing and the associated thesis, what can be shown c...
The current form and transformation of artistic practice in the 20th and 21st century caused some es...
The question of whether or not art is essentially a representation of reality has long been a bone o...
In a talk I gave ten years ago, ‘What If There Were No Such Thing as the Aesthetic? ’ I tried to sho...
Defining Art asks for, outside a debate on Art. a discussion on the definition itself. Is it necessa...
By way of introduction to a problem little known to French-speakers in general, namely the analytica...
That art functions as a corrective to rational-scientific insights is one of the formative thoughts ...
This paper intended to show the main views against the possibility of the definition of art under d...
The successful specification of the definition of art has so far proven elusive. Discouraged by repe...
Considering that dominant interpretation of Wittgenstein’s philosophy ignores what stands outside of...
THE DEFINITION I propose is intended to capture the classificatory use of 'art' and '...
The ontological question challanges the nature of the existence of works of art. The text presents b...
The article analyzes the argument for the impossibility of the definition of art by Morris Weitz whi...